The paper operates mainly based on research questions which can be stated as follows: Can creativity and sustainability be brought together in architecture? Is it possible to adhere to innovative, creative, or radical architectural designs without compromising functionality and sustainability?…
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The intention of this study is innovative architecture as a powerful catalyst for economic regeneration and revival of our towns and cities. Imbued with visual and aesthetic appeal, it can provide an iconic and symbolic role, attracting vast numbers of visitors, underpinning tourism, and becoming so familiar that it is recognised around the world as a symbol of a particular place. When allied to an inspiring concept and supported by a strong business case, innovative architecture can provide a tremendous boost to the economy, vibrancy, civic pride and attractiveness of a city or town. Vision, scale, but above all the quality of design, engineering and purpose are the most important factors in determining the success of innovative architecture. David Marks believes that innovative or extreme architecture can exists in harmony with goals of functionality and sustainability. Nowadays, as remarked by Deyan Sudjic, “for any architect not to profess passionate commitment to ‘green’ buildings is professional suicide”. In architectural literature, the sustainable and functional necessity is depicted and viewed as a common dilemma in immediate need of solution through a joint attempt, comprising “actors as joint members of a new and all inclusive risk community.” Nevertheless, outside this clear agreement and growing acceptance of sustainable design ideals “the designation ‘green’ is extremely wide ranging, encompassing many viewpoints and open to broad interpretation”. ...
?green’ is extremely wide ranging, encompassing many viewpoints and open to broad interpretation”.4 Basically, the tension between creativity, functionality, and sustainability has transformed. As several scholars have claimed, it has become widespread due to the existence of extreme architecture. It no longer merely addresses the issue of whether an environmental crisis exists. Rather, the discourse on sustainable and functional architecture can be viewed as a setting of generally disjointed and conflicting interests and ideals. It has become a locus of incompatible perspectives wherein different actors take part in an unbroken practice of creating and recreating the meaning of architecture. Form and Function: Harmony or Conflict? Architecture is shaped by multitudes of design aspects which affect the preferences of architects. This intricacy usually creates conflicts. Underlying the entire design process is the age-old dilemma of function and form. Due to intricacy, different functional requirements emerge which should be translated into a generally effective design preference. A form is mostly shaped by a number of functional concerns.5 It is without a doubt that when architects choose their designs, they have purposes or functions for their designs. However, they can never completely anticipate and prove their outcome. Stewart Brand states that: Sullivan’s form-follows-function misled a century of architects into believing that they could really anticipate function. Churchill’s ringing and-then-they-shape-us truncated the fuller cycle of reality. First, we shape our buildings, then they shape us, then we shape them again—ad infinitum. Function reforms form, perpetually.6 When architects design a structure to accomplish a particular function, they endow it
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(“Merging Creativity, Sustainability, and Functionality: A Challenge to Essay”, n.d.)
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