[Author’s Name] The Color Purple Women's potential transformation from victim to heroine, from object to author, finds a model in the hysteric: a woman who struggles against the existing paradigms of sexual and linguistic oppression to find her voice…
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It'd kill your mammy" (1). What Celie is forbidden to articulate publicly is her repeated rape by the man she believes to be her father; this violation of both Celie's body and her voice speaks of an underlying socio-linguistic censorship that relegates the female subject to an objectified position, as passive, absent, and silent. In this paradigm the maternal must be sacrificed if the subject is to speak. The relationship between Celie and Alphonso illustrates this phenomenon, as the paternal interdiction relies upon the premise that if Celie speaks, she is forsaking her "mammy" (1). Celie comes to represent this forced contract between a woman and the Law of the Father, where a female's body, spirit, and speech are sacrificed in an act of socio-symbolic rape; however, as Celie's subversive authorship suggests, it is a sacrifice she is unwilling to make. In her article "Women's Time," Julia Kristeva speaks of the role language plays in violating female subjectivity; she states, "a new generation of women is showing that its major social concern has become the socio-symbolic contract as a sacrificial contract, …that they are forced to experience this sacrificial contract against their will" (Kristeva’ ‘Women’s Time’ 25). ...
e, identification with the sacrificial logic of separation and syntactical sequence at the foundation of language and the social code leads to the rejection of the symbolic--lived as the rejection of the paternal function and ultimately generating psychoses" (Kristeva’ ‘Women’s Time’ 25). The psychoses that Kristeva identifies can be seen as reflecting hysterical discontent, as a conflict of gender that is realized through linguistic disruption. Kristeva posits two possible strategies to counter the exclusion and silence experienced by women: the first, to attempt to possess the symbolic by adopting the dominant ideology; the second, to approach language as a "personal affect experienced when facing it as subject and as a woman" (Kristeva’ ‘Women’s Time’ 24). Such an approach suggests a need to "break the code, to shatter language, to find a specific discourse closer to the body and emotions, to the unnamable repressed by the social contract" (Kristeva’ ‘Women’s Time’ 24-25). Kristeva's perspective of language posits a revolt against the exclusion of the symbolic contract. In About Chinese Women, Kristeva identifies women as able "to give a name" to the repressed, as able to restore the body back to a place of significance (Kristeva ‘About Chinese Women’ 30-35). In this context, the body becomes intertwined with Kristeva's notion of the semiotic, as a sort of expression that exists outside of the symbolic, preceding language while simultaneously existing within language, albeit in a repressed form. Semiotic discourse moves beyond the symbolic by opposing structures of exclusion. The mother-child bond becomes the definitive relationship of semiotic discourse, as it exists beyond binary differences of gender and sexuality. When viewed in this
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“The Color Purple Research Paper Example | Topics and Well Written Essays - 2000 Words”, n.d. https://studentshare.org/anthropology/1393584-the-color-purple.
The power of music is undeniable in the film for in the manufacture of effective cinema productions, directors harness music to invoke a mood, instill characters with certain feelings and foreshadow future events. Located in Georgia, a place peopled with many ex-slaves and their offspring, one observes the repercussion of Jim Crow’s segregational laws.
Indeed, through words, man’s literature has enabled him to portray history, as well as different settings and events in a person’s life. Through literature, man has come to speak of the unspeakable, paint the unimaginable, and achieve the impossible. This is indeed the case of Alice Walker, a prominent writer and activist for the rights of black women.
However Sofia is one of the characters in The Color Purple that grows, but never really loses her core personality. She is strong. Sofia is the opposite of Celie’s character. Celie has a soft outside, but an inner strength. Sofia has a harsh outside, but a compassionate inner side that emerges as the book progresses.
However, Jill Nelmes gives more importance to the factor of male domination featured in the film (290). But the film cannot be analyzed only in the dimensions of sexism, and its historical context in relation to racist persecutions cannot be overlooked. This thesis relates the historical context of the film to settler racism.
This was true regardless of the woman’s race, but was applied to the woman of color in slightly different terms than what we are most familiar with in literature. Rather than thinking of the ancient Greek Penelope, whiling away her days with never-ending weaving, or Shakespeare’s Desdemona, wandering aimlessly through her palace trying to puzzle out what’s troubling her dear husband, the woman of color was expected to play the woman as well as the servant.
Another is the fact that crowds nowadays have people from other nations, making our communities, our cities, and our state seem like the world has gotten smaller. Pictures and descriptions of different kinds of people are not unheard of, and the influx of cultures is already an established norm.
Adaptation of the Color Purple from Alice Walker and Steven Speilberg's movie Alice Walker is a poet, author and activist of African American heritage. She is an acclaimed writer of both essays and fiction work, in which she talks candidly about gender and race.
“The Color Purple,” is one of the sterling literary works of Alice Walker and a critically acclaimed book. It depicts the tough life of a young African-American woman in South America in the early part of the twentieth century. The novel explores the individual identity of African-American women.
Alice Walker: In the Pages of History. The artists are believed to be working in order to illustrate their unexpressed emotions and feelings. The artists without an emotional quotient are no artists at all. Alice Walker is an African American novelist, poet, short story writer and political activist.
In Alice Walker’s novel, blacks succeeded in transforming themselves to reach the threshold of happiness, in the latter part of their lives. Walker introduces a rejuvenated Celie’s concluding letter, finally reunited with her lost sister Nettie, Celies
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