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The Ways of Organization of World Exhibitions of Fine and Applied Art - Research Proposal Example

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This paper "The Ways of Organization of World Exhibitions of Fine and Applied Art" focuses on the fact that from school lessons, everyone knows that all acknowledged genii of fine and applied Art worked for a long time in order to make their works world-famous and popular. …
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The Ways of Organization of World Exhibitions of Fine and Applied Art
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Download file to see previous pages According to the canons of the Spanish portraiture, women had to be dressed completely up to their necks. The poverty of authors was also one of the reasons for the neglected paintings. They had to make paints and canvases by themselves, as they did not have an opportunity to buy the necessary equipment. Now it is valuable, but in those days, it was not recognized. The painters used a great number of different materials instead of canvases. Even Monet (a famous painter) wrote on the canvas, which already contained his pictures. The painter took away the previous painting and made the new one instead of it. Desperately, the artists had patrons during their life. For example, one owner of the shop sold painting equipment in Paris. He was obsessed with a new unknown stream called “Impressionism” and even lent paints, brushes and canvas to poor painters. He also bought their works of art and exhibited them in the window of his shop. As a result, he became an incredibly rich man, who helped people to see the talent of Picasso, Monet, Degas and Cezanne. Many people recognized that those authors had great talent and considered the shop profitable. Despite this, there were people who did not share this opinion, as the creator was an ordinary owner of the shop. There is a way to pay the attention of the auditory to the works of new painters. Instead of buying the works of unknown authors, it is better to open a gallery and organize the exhibition of their works. Paul Alexander, a patron of the world-famous painter Amedeo Modigliani, brought this idea to life. Firstly, he bought paintings and exhibited them in different countries. Later, he opened his own gallery, where existed even those paintings of Modigliani, which were not a property of Paul Alexander. It is important to mention that his family was not poor and Paul could afford it. The aim of this work is to describe the project, which can help people to be acquainted with the world masterpieces. ...Download file to see next pagesRead More
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