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Textual Analysis of The 400 Blows: The Landmark of New Wave - Movie Review Example

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"Textual Analysis of The 400 Blows: The Landmark of New Wave" paper addresses the significance of the New Wave movement in French cinema. It emphasizes on The 400 Blows by Truffaut and discusses the relevant aspects of the New Wave movement. The paper focuses on a textual analysis of the film. …
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Textual Analysis of The 400 Blows: The Landmark of New Wave
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Download file to see previous pages The most creditable factor of the transformation was the emergence of the New Wave in French cinema. A group of spirited filmmakers began the revolution in French cinema with a new form of European art cinema greatly influenced by Italian Neorealism and Hollywood classic cinema. The cinematic style of the New Wave filmmakers brought a fresh look to cinema with improvised dialogue, rapid scene changes and tracking shots, use of existential themes, and more emphasis on money and production value. Among the revolutionary French filmmakers, François Truffaut is a remarkable name. His The 400 Blows (Les Quatre Cents Coups in French) released in 1959 is a prominent film portraying all the characteristic traits of the New Wave movement.

With the arrival of the New Wave, French cinema experienced a new era of revolution. The New Wave movement was a cultural phenomenon resulted from the economic, political, aesthetic and social trends developed in the 1950s. Growth of film criticism shaped a new group of filmmakers who were inspired by the concept of change. Besides, the New Wave also witnessed technological innovations in motion-picture cameras and sound recorders (Neupert, 3). During the 1950s, France was undergoing a remarkable industrial growth and self-evaluation that influenced cinema and its place in the larger national sphere. There are a number of factors affecting the transformative change in French cinema including: political conservatism, consumerism, television, ciné clubs, popular film journals, and above all, a new generation of filmmakers (Neupert, 4).

While discussing the new generation of film producers, some of the prominent pioneers of the new age filmmakers are François Truffaut, Jean-Luc Godard, Eric Rohmer, Jacques Rivette and Claude Chabrol. One of the most prominent source of influence in the movement is the practice of film criticism by the above filmmakers in the famous film magazine Cahiers du cinéma.  ...Download file to see next pagesRead More
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