The realists are not simply a group of artists who wanted to advocate the presentation of their circumstances through art but they also aimed to show their culture. Before the realists, only the rich or nature…
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The realists’ messages and calls were critical as they were equally portrayed in their arts. In the artwork of Gustave Courbet in 1856 entitled “Les Demoiselles du bord de la Seine” for instance, he painted two women resting under a tree. The color of the painting is prominently green which are contrasted by the red and white clothes of the women, usually common in Courbet’s era. The heavy lines of the painting give a smooth texture to the painting, giving it an almost photographic appearance that makes a viewer feel like he is looking at the scene himself and not just a painting. The balance of color and space in the painting does not only present what the painter wants to show but it also makes the artwork appealing to the eyes. As to form and shape, the painter was able to capture how the models would have looked like in real life, being true to their proportions without exaggerating features for emphasis. The painting also shows good spacing between the figures so that even though the plane used is two-dimensional, it shows a three-dimensional picture with the sleeping woman nearer the viewer and the second woman a little farther from the first. The trees also seem to be a distance away from the women, creating a realistic picture which is the message of
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According to Vidokles, curators are charged with duties that include: administration of art experience and distribution of art production money. The curators also collaborate with various collectors and sponsors, the press and politicians to ensure that the interests of art producers are well taken care of. id performing their duties, curators play the role of mediators between art production and societal power structure.
An example of these is the art work of Ambrogio Lorenzetti, where the symbol of quality management illustrates a strong message about the importance of a steady republican administration of Siena. In his art work, the symbol representing an excellent administration shows how the successful citizens do business and dance on the roads and the other side of the painting; he illustrates how fruitful harvest is being achieved in the countryside.
In “The Creative Process and Artistic Intersections with Social Research: Narrative Portraits of Recovery from Homelessness,” Mara Jevera Fulmer describes the creative process of eight older African American women, who successfully escaped their homelessness in Detroit, Michigan.
There are, however, many marketing practitioners that would strongly disagree with the validity of a scientific approach to marketing. Egan (2009, p.32) believes that science “has damaged marketing’s relevancy” as data and research methodology are often superimposed over practical judgment and analyses of market conditions.
For instance, the German expressionists were concerned with increasing the emotional landscape of art through emphasizes on the subjective feeling of what was often portrayed as the objective feelings. This paper seeks to discuss the expressionists’ works of Henri Matisse, Ernst Ludwig Kirchner, and Paula Modersohn-Becker Body Henri Matisse was the father of the wild beast movement that was on many occasions referred to as the fauve movement (Walther, 2003).
2). This implies that the creation of artworks depends on the artist’s philosophical evaluative criticism of the things she/he observes in reality. The designs are also impacted by the artist's thoughts and feelings. Conversely, some argued that art is design artistic in nature which requires artist creativity.
Romanticism (1790-1850) has been one of the most influential art movements of the late -18th to the mid -19th century in the Western civilization which gave paramount significance to individualism, subjectivism, irrationalism, imagination, emotions and nature. The Romantic Movement did not necessarily favor a specific aesthetic.
The researcher of this essay aims to discover the postmodernism. The concepts of artistic expression in postmodernism are largely based on the “politics of representation.” This refers to the concept that there is a difference between the form of the image and the content of the image or the visual and the sublime.
This essay explores Bonaventure's art. Historically, the artistic work was meant to assist in understanding the Biblical scriptures. In this regard, St.Francis is said as one of the key Christian figures of the early times; as early as the thirteenth century. Ina perspective, Bonaventure was aware of the biographical background of Francis’ life.
Authors document that neoclassical was initiated partly by the sensuous and frivolous decorative Rococo style reactions that had governed European art from the 1720s (Palmer 12). It is
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