Marginalized Masculinity in the Snatch - Movie Review Example

Marginalized Masculinity in the Snatch Movie Thesis: This article primarily explains how the marginalized characters in the movie, Snatch, find their survival tactics in London. These characters include the Blacks (the thieves), Poor (Turkish and Tommy), Jewish (the diamond dealers/jewellers), American (Cousin Avi) and Pikies (the Gypsies, primarily represented by Mickey). Additionally, the paper discloses the implications of these characters’ treatments while in London and discusses an overall view of these characters’ situational experiences. Snatch is a fast-paced accomplishment movie directed by Guy Ritchie. This film’s storyline and continuity revolve around a robbery of a huge piece of diamond. Almost all characters in the film are determined to find this piece of diamond and have a piece of it. This is with the exception of Mickey, also known as Pikey, who is determined to acquire a new caravan for his mother. However, while Mickey was on the mission of pursuing a new caravan, Tommy and Turkish introduce him into illegal boxing competition. Tommy is known for setting up boxing games for Brick Top, who is a dangerous gang leader who practices many unethical acts and has weird beliefs. For instance, he feels that feeding people to pigs is the best way to get rid of hindrances in case someone interferes with your pursuit for money. Tommy and Turkish, who primarily focuses on perfecting their boxing skills, and are not interested in finding the piece of the stolen diamond end up getting the diamond by an accident. They retrieved this piece of diamond from a dog that had swallowed it. Tommy and Turkish then communicate to Avi, who wanted to purchase the diamond with the sole purpose of selling it. The film comprises two plots, which interweave throughout the movie. For instance, there are scenes of boxing matches that interweave with scenes of retrieving the diamond. Apart from characters who have varied tastes and traits, the audience is also introduced to many communities with different cultures; something that further causes more confusion when watching this film. The characters in the Snatch movie uniquely anticipate their survival mechanisms in London. These characters indulge in illegal boxing activities and illegal diamond trade. Within these criminal activities, they undisclosed their home of origin. They broadly exercise the picture of a fat gateway driver, a rather vicious dog and a man-eating pig in their illegal boxing activity. In this film, the accent is purely penetrable English for both British and non-British audience. Perhaps, the adoption of pure English and the friendship nature of the marginalized characters in London would be a move towards acceptability by the London communities. In the spirit of this movie’s fair play, Guy adds a wanderer dialect in this moving picture (Ritchie 123). Living in London is not a bed of roses for these characters who are always try to falsify everything they do in order to fit in the communities around them. A better life is seemingly fourth coming through pretense of dialect. Whether you are an American, Jewish or Pikies, speaking in one gypsy dialect was the order of the day. This is done in the Snatch movie to reduce the level of curiosity by both the white and Anglo Saxon Protestants on marginalized groups. The characters overly are of a virility and masculinity presentation. These people apparently are at ease in London due to their protagonist, physical violence and rough manners. Any character in the film who do not display any kind of these normless traits is perceived as feminine or homosexuals. London area is, therefore, under cordon by the marginalized community in order to survive the wrath of the Whites and Anglo Saxon Protestants. The marginalized characters also survive through a submissive view of the London society (Ritchie 145). They cordially reject femininity and responsibility and to some extent, desperately challenge the London authorities. The London society as a whole, throughout the movie, has not been seen as a relenting role player on the marginalized groups of individuals. It engages on a perfect scrutiny of challenging underclass representation as an appealing subculture. Lastly, retrieving diamond and boxing matches bring various cultural experiences between these characters together, which improves their survival mechanisms in London. The survival implications of illegal boxing, snuggery and diamond smuggling though may seem confusing in searching for a way of living in London sounds perfectly sensible after watching this movie. Snatch is perceived as a fast-paced action film connecting diamond robbery and various societal aspects. The movie’s entire characters desire the missing diamond except Mickey, the so called Pikey (Ritchie 156). In order to acquire this diamond, they must corporate and look for a better means of survival while living in London since they are all illegal immigrants in this city. Through these survival tactics, Turkish drags Mickey, who is in search for her mom’s caravan into illegal boxing together with his partner Tommy. Tommy soon sets a match for Brick Top; the gangster who feels feeding people to pigs is only a better way of getting rid of various obstacles in your way to money. Mickey, though has to lose the way, eventually survives all the matches. These marginalized individuals become friends as a symbol of unity in search for the missing diamond. Lastly, these survival tactics for the marginalized individuals are not just ordinary reflections, but also inwardly tilted towards sub-cultural practices (Ritchie 178). The intertwined plot in this movie that is, retrieving of diamond and boxing matches introduces many communities with different cultural aspirations. Therefore, this film primarily describes the survival of various communities as immigrants to various cities, towns and nations with London being an example. The situations of these characters can be connected to the class-related points of discussion. This is because cultural assimilation can be learnt from these characters as per their differences in cultural diversity yet they collude together in London and fight towards a common goal. It may be difficult to conclude these two stories at first, but it is possible to understand the film as a cultural and normative based kind of motion picture. Turkish and Tommy are frank and do not have much to do with retrieving of the diamond, and through their consequent interactions with Avi, the two became imposed into illegal hunt for this diamond. This according to me is the greatest epitome of cultural interactions. Through cultural interactions, communities come up with different life changing ideas. The case of Turkish and Tommy is nonetheless not an exception as they were unwilling to venture into unscrupulous diamond business yet Avi imposed them into this uncultured practice. Lastly, illegal practices have also been linked with indulgence in the illegal search and smuggling of diamond including unlicensed boxing practice (Ritchie 201). This is another aspect of cultural diversity where most marginalized communities or individuals look for means of survival without considering whether they are legal or illegal. In conclusion, it is evident that the first scenes at the beginning of the film do not connect completely. This makes it difficult for the audience to understand, and follow the story line. This is because there are only two plots and the viewers are introduced to so many differently related characters. Apparently, Ritchie organized these scenes in this manner in order to relate it to the complex lifestyles of the marginalized individuals. These people initially came as immigrants with absolutely no one to turn to and eventually learn the ways of life of their surrounding communities. Besides these characters, the audience may also learn that the introductory plot setting of the movie also portrays a case of different communities with different cultures. However, this makes the movie more intriguing, but also confusing as well. This is because the movie’s story line revolves around marginality of community and cultural musicality process in the contemporary communities. This makes the movie more complex to understand and it requires a lot of attention from the audience. Lastly, in relation to Ritchie’s focus on marginalized groups of individuals that are searching for a way to exist in London, this producer blends the movie with modernity aspects. These aspects as per the encounters of marginalized groups of individuals puts more focus on Mickey referred to as “Pikey”. Works Cited Ritchie, Guy. Guy Ritchies Snatch. Runnemede, N.J: Dynamite Entertainment, 2010. Print. Read More