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Choreography in a Physical Theater - Assignment Example

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The assignment "Choreography in a Physical Theater" focuses on the critical analysis of the major issues in the choreography in a physical theater. In World Premiere DV8 Physical Theater – Can We Talk About This video, there are a lot of interesting issues to note…
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Choreography in a Physical Theater
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Additionally, the video raises politically sensitive ideas and their overall influence on national movements especially when they inspire fundamentalism and other forms of abuses. Therefore, according to the narrator in the video, respect for other people’s ideas is paramount to encouraging tolerance. He adds that silence is the worst form of decision because it stifles opinion on important matters.

LaLaLa Human Steps: LaLaLa Human Sex duo no. is a video by Edouard Lock and it runs for 1.6 minutes. It involves a gestural dance characterized by fast and difficult partnering during movements while using the horizontal plane. However, there are contrasting views concerning the male dancer’s energy including the body language to that of the female dancer. First, both dancers are vigorous in their undertaking to depict the gestures of sex when done without the necessary precaution (Minton, 167). Second, the dominance on stage by the dances is a demonstration of the unifying belief of the dangers posed by irresponsible sex. However, issues of gender stereotypes are being pushed in the choreography worth noting. For example, women are cast in the video as passive and, thus, direct recipients of sexual innuendos. Likewise, the choreography assumes that only men are stronger sexual beings as opposed to their counterparts.

Smoke is a video by Mats Ek and it lasts for 20 minutes demonstrating the relationship between a man and woman namely Niklas Ek and Slyvie Guillem. The use of the wall, hence, is a vital platform to convey the tension between the dancers because it reveals the barrier to sexuality. It also displays the essence of continuation from a neutral background. On the other hand, the camera tricks such as retrograde and close-ups enable the telling of the story to assume authenticity because it makes both dancers real in the choreography. In that perspective, the dancers mostly use their arms and bellies as surfaces for partnering to send a clear message of sexuality and its undertones. Ms. Guillem’s character, however, during her sole takes the form of contemplation and meditation to induce the introspection desired in the video. Her character is equally appealing in regards to being solo because it motivates the movements expected during the choreography. Contrastingly, I think Guillem is working through an open approach perspective of comprehending linear movement, speed, stillness, and class among others. As a result, the use of language is an effective medium because it enables the audience to evaluate the two dancers in the video Smoke objectively. It also allows them to study their movements and speed for analysis.

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