Canadian Film Industry - Research Paper Example

Canadian Film Industry Introduction to Communications user [Pick the Introduction Feature film industry of Canada has been in an evolutionary process for a long time and now it has established itself as a fully fledged and well grounded film industry producing some of the renowned and critically acclaimed movies of all times. Canadian feature film industry faced a lot of problems and start and this paper will take a look at the time line of the events that have made a long lasting impact on the Canadian film industry and feature film design started to take prevalence when people were amused of the flickering images and mobile show makers in important parts of the country like Vaudeville. At start the film industry of Canada was in great slumber and there was no orientation and direction for the establishment of the film industry in the future. All the course of direction was dependent upon the American film industry. The paper will excessively look upon the historical evolution and galvanization of Canadian feature film industry and what were the main problems that were faced by the film makers and how they managed to solve these problems in order to cope up with the emerging trends of the global film and motion arts industry (Pratley, 2003). Structure and main problems of the Canadian Film industry The early problems of Canadian feature film industry were really immense because there was absolutely no infra structure and the moving showmen always had to buy the film making equipments, pictures and reelers in order to carry on their business. Most of the picture ideas, equipments and production team consultancy were taken from France, America and Britain (Hoskins et al, 1996). The expansion of the single film reelers also started at that time and the monopoly factor was started to take effect because there was no competitive environment in the Canadian film industry. Producers were not able to supply the demanded number of films and that is the sole reason behind the rental film that was the main centric attraction in the Canadian film industry. The revolutionary event took place when a moving show man names John Schuberg was single film Reeler in 1902 at Los Angeles and proposed to establish a permanent electric theatre in Canada in order to promote the performing arts and film industry in Canada and deplete the dependency on the American film industry. As a result the electric theatre was established in Vancouver and people were really attracted towards this new entertainment outlet. Mount Peele in eruption and the Great Train Robbery were on the pioneer films that triggered the Canadian film industry Gala at this first electric theatre. The border between America and Canada was compelling the American culture and filming trends to intervene in the Canadian films and the revenue generation was not getting the maximum output because the Canadian film were not able to orient a specific and distinct taste. Ernet L also established another state of the art theatre at that time in 1906 at Montreal and the Canadian people started to recognize the fact that motion picture industry is a well established industry thought-out the world and they can follow a complete career in this field with motivation and dedication. (Pendakur, 1979). The people also managed to get this fact that if their local film industry will get flourished, there will be elevated chances of jobs and nurturing opportunities because the motion arts industry can literally bring a great financial and Cultural Revolution in any frame of window and there are great benefits of a well established film industry in any country. The feel of rejection and being ignored by the neighboring countries were the main triggering factor that gave a real motivation for the Canadian film makers to take a step ahead of the moving shows and convert it into a static, well programmed, well equipped and authorized film industry where people can share ideas and bring them on screen. The film makers also tried their best to stop the local talent from being exported to the outside world because these artists were the main asset of the potential Canadian film industry. Canadian Feature film industry had an edge in the perspective of different opportunities because the American film industry was trying to establish the monopoly dynamics in the film industry all over the world because of the upper hand but Canadian film industry did not suffer from the restriction of MPPC based in America because of the fact that the French and British film industries were readily supplying ideas an equipments to the pioneers of Canadian Film industry. Evengaline was one the most prolific films that were produced by the Canadian bioscope company and there are numerous movies that started to nourish the course of action and experience of the Canadian producers. Even the American producers were open enough to praise the works of the newbie Canadian feature films. Some of the most cardinal problems for the Canadian film industry were lack of establishment and business development which compelled the new actors to migrate to New York and this problem is being faced by the Canadian film industry even today. Similarly, the American film industry was so inviting in terms of music, design and cultural motives that he the Canadian films were facing immense difficulties in getting the sponsorships and permanent audience ship. The lack of technical support from the native Canadian film makers were also a great problems and the training issues were forcing the new actors to find their interest and career development future in the American or British film industry. The America film industry had been so advanced that the quality of music was increased due to effects and technological elevations but the purpose of the Canadian film makers was not achieved even after making the music and look of the movies in the state of the art format and hard work. . The Canadian film industry started to flourish in the time period when Allen theatres moved to Canada in 1906 after the great success in Germany, America and other major parts of the world. Because of the non-existence of any borders between America and Canada, the structural references of Canadian feature film industry are connected to American film industry and motion pictures. After the First World War, patriotic patrons emphasized the depletion of American influence in the Canadian film industry and, thus, the local film industry started to gain attention with the contextual backgrounds of government. In the era after the federal elections of 1911, people in Canada noticed that there is a strong need of the films that can depict the pure Canadian culture on the screen and the post world war hatred against Americans was being exploited by the Canadian film makers and they were trying to tell the people that the American film industry is somewhat hostile to the Canadian and they should cease to watch and praise the Canadian movies. The war based movies in the American film industry did not appreciate the efforts of the Canadian solders rather insulted them in one form or the other and this had a great impact on the mindsets of the general masses in Canada. The impact of this mind change can be perceived from the fact that there was around 22 feature film industry openings in Canada after the people of Canada started to read this open fact. Canadian feature film industry got immense boost in the time period of around 1916-1922 and Canadian Features, one of the new feature film industries managed to get the subscription of total worth around $270,000. The early Canadian film industry focused on child films like Nickelodeon series. (Moore, 2008) The social variants in Toronto were compelling a stop to the open norms in the movies whereas the American film industry was taking an advantage of this factor. The influential dynamics of American film industry on Canadian screen and low level equity investments in the local markets of Canada are initially identified to be the major problems of this domain At present time, the Canadian film industry has established itself and Candia happens to be one of the main centres of motion art films and there are many places where the film makers love to shoot for example the Niagara Falls. Vancouver, Montreal and other places of Canada are attractive for shooting and the Canadian film industry is optimal advantage of this edge (Blaike, 2011). The Allen brothers were the main stake holders of the Canadian film industry (Morris, 1992). The Canadian film industry focuses on building the best and state of the art theatres because general people and filmmakers were attracted towards big and colorful theatres. The quality of the films was the main issue which was not addressed for a longer period of time but now things are changing the Canadian filmmakers have come to the point that they understand the importance of the quality of content. No matter how prolific the equipment may be the story line, animated arts and main theme of the movie matters a lot. “The famous” corporation in Canada was the main party which was trying to nourish the Canadian film industry, There were many pooling agreements which negotiated that the losses and profits in the film making industry of Canada will be divided and in this way, the Canadian film makers got a chance to increase their revenues and they were more open now to take chances and try different and new things to attract the general people (Pendakur, 1979). Conclusion The Canadian Film industry has vertically integrated with the American film making industry and there is a great improvement in the problems solving process of the feature film industry of Canada. The equipment is state of the art and a lot of actors are finding it attractive to get a career in the Canadian film industry. The advancement in technology has also given a great advantage to the Canadian film makers and they are now focusing mainly on the content of the movies rather than just making them attractive on the upper side. Future hold good and attractive course of action for the Canadian film industry provide there is a penetration strategy in the innovative trends of the film markets and the Canadian film makers need to inculcate the global trends of the international motion arts and picture industry to survive in the competitive environment (E&B Data, 2010). References Top of Form Bottom of Form Top of Form Bottom of Form Top of Form Blaike, H. (2011). Producing in Canada. A guide to Canadian film, television and interactive digital media incentive programs. Heenan Blaikie LLP. E&B Data. (2010). Foreign Location Shooting on the Canadian Film and Television Industry. Canadian Heritage foundation. Hoskins, C., Finn, A., & McFadyen, S. (1996). Television and film in a freer international trade environment: US dominance and Canadian responses. Mass media and free trade: NAFTA and the cultural industries, 63-91. Moore, P. S. (2008). Now playing: Early moviegoing and the regulation of fun. SUNY Press. Morris, P. (1992). Embattled shadows: A history of Canadian cinema 1895-1939. Montreal: McGill-Queens Univ. Press.p22 Pendakur, M. (1979). Canadian feature film industry: Monopoly and competition. Burnaby, B.C: s.n.. Pratley, G. (2003). A century of Canadian cinema: Gerald Pratleyss feature film guide, 1900 to the present. Toronto: Lynx Images. Bottom of Form Read More