Rogier van der Weyden's Deposition - Assignment Example

Rogier van der Weydens Deposition from the Cross and Titians Pesaro Madonna As a painter, Rogier van de Weyden’s pieces of art have their own uniqueness (Lorne, 25). They possess a captivating renaissance period painting that vividly captures a rich background merged creatively with the fore ground. Religious beliefs being a big concern then, Rogier’s painting of Christ in Deposition from the cross, Like Titian’s Pesaro Madonna, captures the bright complexity of the external world and a pale amazement of the world beyond.

He portrays this in the painting of Joseph of Arimathea and the body of Jesus Christ contrastingly. In a bid to bring visual to the spiritual content, Rogier, unlike Titian opts for a divinely richer world than the physical world. The Deposition probably reveals the painter’s emotional intensity on religious views. His style of continuous background lines is evidently retained (Roberts, 142).On the other hand, Titian’s paintings have emerged as the most controversial then (Daniel, 5). Unlike Rogier, Titian had done away with the portrait of the Virgin Mary as the central picture.

His style also adopted the use of a new rule of composition. Unlike Rogier, Titian adopts a unique way in which he lets air and colors to bring in harmony into the scene and gives the cross a more divine meaning by making it heavenly with two little angels around playing with it. By portraying member of the Pesaro family as leaning at one end of the painting sustains the contemporary society’s position and opinion about Kingship and divine rule.Works CitedRoberts, Ian. Mastering Composition: Techniques and Principles to Dramatically Improve Your Painting.

California: North Light Books, 2007.Ankele, Daniel. Titian. Texas: Ankele Publishing, LLC, 2011.Campbell, Lorne, Van der Weyden, New York: Harper & Row, 1980.