The paper analyzes Identify two texts dealing with contemporary art practices related to Italy. Wealthy and powerful patrons would commission works οf art which were invariably linked to the economical and political structures οf the area or in the context οf religious duty. …
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The paper "Identify two texts dealing with contemporary art practices related to Italy" concerns the two texts dealing with contemporary art practices related to Italy. This group οf powerful families wanted to show the world that their learning, piety and taste made them worthy οf their high standing in society. Among the greatest patrons were members οf the powerful Medici family, who spent money on constructing churches and encouraging art. The works date from the time οf Lorenzo de Medici whom Machiavelli called "the greatest patron οf art and literature that any prince has ever been. The Florentine government also transferred the responsibility for artistic projects to individual guilds. The guilds formed the basis οf the city's political system. For example, during the fourteenth century, the Duomo and Baptistery were allocated to the Wool and Cloth Merchants respectively. The government also established "...guild rivalry as a powerful competitive spur to public patronage in Florence. Females were also energetic artistic patrons and commissioned art in their roles as religious, royalty and noble women. Time and again, agreements with artists were arranged for females by a male family member, a monk, or a priest. Religious women and their communities (holy orders, individual nuns and abbesses) ordered decorations for their convent cells, refectories, and church altarpieces. The Christian church dominated the lives οf Europeans and thus embodied both the government and the patron
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