Nobody downloaded yet

The Use of the Set in French New Wave Cinema - Research Paper Example

Comments (1) Cite this document
Summary
Cinematographers and directors of this movement were linked by their rejection of typical cinematic form, and their use of religious iconography as part of their filmmaking…
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER95.1% of users find it useful
The Use of the Set in French New Wave Cinema
Read TextPreview

Extract of sample
"The Use of the Set in French New Wave Cinema"

Download file to see previous pages One of these elements was the use of the set. The purpose of this paper is to explore the use of the set in French new-wave cinema, particularly by focusing on the work of Jean-Luc Godard and Francois Truffaut; two prominent examples of filmmakers of the era. This will be examined in the context of the effect that this has on the character development in this genre of film. The use of real-life sets and the additional differences in perception has a significant effect on the characters of the film, who often present themselves in the same disjointed and spontaneous manner as the real life sets. The Use of Set & Theatrical Scenery in French New-Wave Cinema For a variety of reasons explored below, the typical French new-wave director would choose to produce a film set within an area that was familiar to them, usually exploring the French middle-class youth and setting the scenes in recognizable areas (Neupert, 2007). Perhaps the best way to capture the spirit of France at the time was to use real-life locations rather than contrived sets, as had been done previously, and a number of participants in the films were real-life individuals. As the movement developed, a number of the directors (particularly Godard) began to move into the use of studio sets, although conscious efforts were made to avoid replicating the very style the French new-wave had been rebelling against, often trying to replicate the lighting and sound interruptions that came with filming within ‘reality’ (Marie & Neupert, 2003). One if the most important aspects of French new-wave cinema is that those involved were often limited in funding, and many of the films therefore relied on makeshift elements. Filming on the streets allowed these new French directors to avoid some of the financial constraints that had been associated with filmmaking in the past (Neupert, 2007). In the 1960 film Breathless (A bout de souffle), for example, many of the elements were completely improvised. The use of improvisation meant that the theatrical scenery was not constructed or purposefully used, and no permission was gained to shoot scenes on the boulevards of Paris (Turner, 1983). This was essentially done to create a spontaneous feel to the film, but may have been a result of the tight budget constraints on the film. Additionally, the film was designed to be in reportage (documentary) style, which means that the use of contrived set would have been unnecessary (Graham & Vincendeau, 2009). The conscious decision to avoid the use of a proper theatrical set in Breathless is typical of the rejection of classical cinematic form in French new-wave (Turner, 1983). Godard’s Contempt (Le Mepris) is another important example of film from this movement. Released in 1963, Contempt starts Brigitte Bardot in an adaptation of the Italian novel Il disprezzo. In contrast to Breathless, Contempt does not rely on already existing architecture and scene elements for the set, which much of the filming being done at the legendary Cinecitta studios in Italy (Neupert, 2007). As a result of this choice, Contempt has less of spontaneous feel, and some consider the film to be less of an example of the contrary nature of French new-wave due to the use of these prepared sets (Hayes, 2004). Contempt was additionally not designed to be shot in reportage style, and therefore the use of prepared ...Download file to see next pagesRead More
Cite this document
  • APA
  • MLA
  • CHICAGO
(“The Use of the Set in French New Wave Cinema Research Paper”, n.d.)
Retrieved from https://studentshare.org/visual-arts-film-studies/1395674-the-use-of-the-set-in-french-new-wave-cinema
(The Use of the Set in French New Wave Cinema Research Paper)
https://studentshare.org/visual-arts-film-studies/1395674-the-use-of-the-set-in-french-new-wave-cinema.
“The Use of the Set in French New Wave Cinema Research Paper”, n.d. https://studentshare.org/visual-arts-film-studies/1395674-the-use-of-the-set-in-french-new-wave-cinema.
  • Cited: 0 times
Comments (1)
Click to create a comment or rate a document
mo
monique53 added comment 5 months ago
Student rated this paper as
Great paper! Used it to finish an assignment for a visual arts & film studies course. It was easy as ABC, for the first time in my life.
CHECK THESE SAMPLES - THEY ALSO FIT YOUR TOPIC
The French New Wave is about Breaking the Rules
.... They were using portable instruments. This meant that they needed very little or no time to set up. Their films resembled documentaries in style. Filming skills and techniques involved discontinuous and fragmented editing. The socio-economic effects of the Second World War influenced the formation of this movement (Bazin, 1985, 248-259). France was politically and financially drained; therefore, the country tended to go back to the old pre-war traditions (Klin, 1992, 8). One of those old traditions was going back to the classical French film which was narrative cinema. In this style, the audience was subjected to a forceful plot-line. Some referred to it as a...
9 Pages(2250 words)Essay
New hollywood Cinema
...? New Hollywood: The Godfather al Affiliation According to Thomas Schaltz (1988), New Hollywood in historical terms is the term used to describe American cinema after World War II. While the deeply entrenched studio system of Hollywood collapsed and the onset of commercial television set in among the national suburbanized landscape nationally, new Hollywood set in. With the setting in of New Hollywood, classical Hollywood was phased out gradually. The classical Hollywood era was characterized by mass production of movies by cartel studios for guaranteed market virtually. The phenomenon of going to the movies was replaced by watching television in the era of the new Hollywood (Cook 1990; Buscombe 1977; Schiach 1995) . Earlier... in Europe and...
16 Pages(4000 words)Essay
The French New Wave style of film
... by a character, yet what the watcher sees is the firearm being pointed at the individual then there jump-cut occurs and the individual is seen falling over. Certainly Godard was the much prolific utilize of the jump-cut. Other inventions in new-wave cinema encompassed a great usage of close ups as well as an absence of instituting shots. The film producers were not as bothered concerning establishing contextual and spatial relations as they were on the ‘mise-en-scene’. A watcher was expected to feel not see the setting. Alain Resna is used this a great deal in his two movies studied, Mon Amour and Muriel, and Hiroshima (Marie 38). The unique knowledge of French film producers was obvious in their movies. In the warfare, France... Festival...
9 Pages(2250 words)Essay
A New Wave of Competitors
...from Reed. Although shoppers are attracted to good quality products, they would be more rational and buy from the other retailers if similar quality products are offered to them. Technological Advancement in technology has improved communication and also greater amount of research in this field has made these technological tools cheap for use by many manufacturers. Producers other than Reed are open to using these technologies and they are therefore well placed to compete with brands like Reed or Walmart. This creates the threat of new entry for the existing companies. Environmental The supermarkets stores are generally located in the city area and the goods sold in these stores are...
7 Pages(1750 words)Case Study
French New Wave Cinema: Impact of Godards Film Criticism on His Filmmaking Practice
...in filmmaking techniques that were bold and direct enough while inspiring the new Hollywood cinema. As Wikipedia describes, “The cinematic stylings of French New Wave brought a fresh look to cinema with improvised dialogue, rapid changes of scene, and shots that go beyond the common 360 axis.” Apart from the candid cinematic approach and directorial authorship style, the New Wave filmmaking technique involved budget issues and production value. Post-World War II, French cinema was engrossed in socio-economic problems and looking forward to low-budget filmmaking...
9 Pages(2250 words)Essay
New Turkish Cinema
.../The Bandit is significant for its contributions to the rebirth of Turkish cinema and thus the ushering in of the New Turkish Cinema. It not only won back the audiences previously lost in the preceding decades, but it set a new direction for Turkish film and narrative. The film adeptly introduces a style and narrative that combines Turkish cinema style/tradition with that of contemporary Hollywood. At the same time Eskiya/The Bandit subtly takes Turkish cinema narrative in a different direction, using the cinema to explain the transitioning world of Turkey (Donmez-Colin, 2007)....
31 Pages(7750 words)Dissertation
New German Cinema
...fact on the one support and search for public and markets on the other1. In an international view, the German Cinema was taken as the most encouraging development in German cinema since German assertions, and a handful of its directors who have won national reputations. The film developed in other countries like Britain and US during the mid 1970s through various magazines and television announcements. Many observers of the films focused on the characters of the new directors, discussing them as creative geniuses, artists with something to say and determined the films almost incompatible in terms of their personal visions of the directors. Thus, the...
3 Pages(750 words)Essay
Critically analyse the importance of Paris in French New Wave cinema with close reference to two appropriate films
...experimental films which aimed at capturing the real life events in the city. This resulted into a shift from artificial films to films that gave a realistic impression of the city. For instance, the scenes captured in the films seemed real and not highly dramatized like those in the traditional ones (Neupert 2007, p. 356). Paris also played a great role in the new wave because all the film critics came from Paris. Film critics from the city identified the weaknesses of the traditional way of film making. Their views influenced film makers to introduce the new wave. The Paris film critics participated in changing the face of cinema in France (Pirro 2011,...
4 Pages(1000 words)Essay
German Civilization(New German Cinema)
...Sur Supervisor New German Cinema In the 1960s, with the advent of television and changing demographics in West Germany domestic film market went through major reshuffling giving way to the New German Cinema. Young and talented filmmakers such as Volker Schlöndorff, Rainer Werner Fassbinder, Wim Wenders, Werner Herzog and many more rejuvenated the German film industry. The era in film making that had its beginning in 1962 and lasted at least until early 1980s came to be regarded as National Cinema. It will be interesting to explore why this era of the New German Cinema came to be known as National...
3 Pages(750 words)Essay
French new wave
...the audience closer to the action. A considerable number of aspects of movies which were created by early directors like Jean Pierre Melville influenced the development of French New Wave. For example, he was fascinated with American gangster movies and used similar approaches in his works such as location shooting or use of unknown actors which had a decisive impact on the movement in the long run. François Truffaut is often credited as one of the founders of French New Wave. Indeed, it is his film that is titled The 400 Blows is thought to be the trailblazer of the new movements,...
3 Pages(750 words)Essay
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Let us find you another Research Paper on topic The Use of the Set in French New Wave Cinema for FREE!
Contact Us