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One of the Artists - Annotated Bibliography Example

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The paper "One of the Artists" presents that the emergence of conceptualism in the 1960s enabled conceptual artists to focus on phenomenological and epistemological areas of inquiry that mostly deal with extending the boundaries of art by inserting art into real life…
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One of the Artists
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Download file to see previous pages There are unarguably few postwar artists who could match Joseph's work as an artist in regard to the range of experimentation that he displayed not just in a single artistic field but in an immense repertoire of sculptures, installations, and performance pieces. This is even more highlighted by his engagement with the intellectual, social, and political events of his day. Dawn Permutter and Debra Koppman (1999) wrote that only until recently the work of Beuys stood as the sole spiritual stronghold in conceptual art with others following his example of seeking out the philosophies and traditions of ancient cultures when humankind lived in unison with nature and valued communal life as a guide for their art. (p. 106)
Joseph Beuys was born in 1921 in Krefeld, Germany. He was conscripted to the German army where he suffered injuries in a plane crash. By the end of the war, he started to pursue his interest in art after getting disillusioned by his study of natural science. He studied at the Dusseldorf Art Academy with the sculptor Edward Mature from 1947 to 1951. After this education, he struggled for years as an artist and suffered constant bouts of depression in the process. During this period, he remained an isolated figure because the Constructivist and Expressionist design was still very much valid. It was not until the 1960s and 1970s when his work will be recognized – from teaching as a professor of Monumental Sculpture at the Dusseldorf Academy; working with the Fluxus movement, whose experimental, interventionist ‘events’ had much in common with his own strategies; and, concerns to the start of a life-long collaboration with Nam June Paik. (Beuys & Harlan 2004, p. i) At present, readings of Beuys’ art that are biographical in nature have become dominant both in the USA and in Europe.  ...Download file to see next pagesRead More
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