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The Negros sang about spiritual aspects but after their emancipation, they sang blues as a reflection of the black American struggle to attain success in life. In most cases, the subject of their music touched on issues of hostility and attaining wealth (Davis 10). The new living conditions experienced by the Negros made them start blues music as a form of appropriating and deconstructing white musical elements. These musical conducts created the images of solitary and a need for modifying the Negro’s way of life and new structure. Most blues singers were considered outcasts even among their race because of many of the laws that had been made at the time, which divided the Africans amongst themselves.
The AAB format uses the 12-bar structure and is a common structure in blues music. AAB denotes the structure of every individual verse in a song and is often used as a compound form in both melody and lyrics. An example of a song, which uses the format, is Pride and Joy 1983 uploaded on February 8, 2010, and was produced on December 6 1983 at the CHCH Studios in Canada-Hamilton. The recording artists for the song are Stevie Ray Vaughan and Albert King. The song is about love and does not comprise one of the topics that reflected the hostility and desire for success among the Negros.
“Pride and Joy” includes a call and response between the vocalists and the instrument e.g.
Call: ‘I am her little lover boy…’
Response: (guitar riff)
Call: ‘Well I love my baby’
Response: (guitar riff)