The More Things Change, The More They Stay The Same - Assignment Example

The More Things Change the More They Stay the Same Being young in music is essential because the industry is widely changing with approaches, which embrace young age. Philosophy argues that music is very crucial for a society in the sense that even when alterations are engaged people will establish methods to approach it. Such an idea allows them to cope with the day-to-day activities in a social and cultural perspective. Investigations assert that the youth have engaged distinct and unique practices in the music as compared to the ancient practices in the industry.

In the first place, they have engaged a distinct dancing style where every song entails its approach (Cheyne and Amy, 350). The adults embrace a slow dancing mechanism, which is contrary to the youth preferred dancing method. The adults uphold a psychological perspective that the youth‘s dancing style entail an immoral portion where men and women dance together; thus, highlighting signs of immorality to the entire society. Evidence indicates that they view the music under such perspective in the sense that they protect the children from viewing such practices through the social media.

In the second perspective, the young society embrace a character encompassed with loudness and complexity where the current music is loudly approached to attract the attention of a large popularity. Resources indicate that they engage such a platform to extend their identity, make the music cheap and incite its effect in the society.In a comparative approach, music has endured a prosperous transformation over the years where it has developed to a certain condition where the citizens appreciate it in distinct dimensions.

It has divided the society into the specific groups where every group enjoys its type. In a more critical review, its exposure to the adolescent and middle age artists changes its cultural approach. Sources assert that the adolescents engaged the intense form of music in the 21st century where they embrace loudness and complexity. Critically, the genre did not exist in the 1950s when evolution and alterations in the music began (Baker and William, 286). The approach has been engaged in the argument that music does not establish its taste at adulthood.

Further, the music is facilitated by the need for autonomy. Romantic songs have changed over the years where the current dancing style is distinct to the old dancing approach. In a more critical review, the approach has changed every implication of the music where it has embraced high emotions to the society and romance. The society has engaged the introduction of sophisticated music, which entails the jazz music and country music. Analysis asserts that it has remained unchanged to date where it engages its cool approach delivering information, which guides the family, establishes and cherish love.

For instance, Ken Rodgers engaged in the industry in the 1950s where his current hits have no distinction to the ancient ones. For example, the ‘Highlands in the street’, which is a love song, do not engage a major difference with the current song entitled ‘My Lady’.In an additional view, the industry has engages unpretentious music where it is performed in different places. Such music is highly embraced among the youth whose venture base on modernisation. Its performance occurs in beer-selected locations where people enjoy their drinks through the incorporation of music.

In a comparative, approach the ancient musicians in the 1950s engaged performance of music in the studio (Veblen, 7). The music was presented to the public through the radio or televisions. Evidently, unpretentious music engages live performance of music. In a different perspective, the society has enhanced the contemporary classical music through enhancement of serialism to stress the role entailed in the song. It aims at advocating liberty, implementing morals to the society and correcting the entire community.

Evidence indicates that the tone has changed over the years due to modernisation enforcing an immediate action to such felonies in the society.Work citedBaker, Felicity, and William Bor. "Can music preference indicate mental health status in young people?." Australasian Psychiatry 16.4 (2008): 284-288.Cheyne, Andrew, and Amy Binder. "Cosmopolitan preferences: the constitutive role of place in American elite taste for hip-hop music 1991–2005." Poetics 38.3 (2010): 336-364.Veblen, Kari K. "The many ways of community music.

" International Journal of Community Music 1.1 (2007): 5-21.