Some of the pieces are composed for special occasions; others were created to reflect different moods and feelings. All composers tend to do their best to render their message through their music and add some purpose to it. There are pieces of music…
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In this way, each epoch left its aims and values in music. This essay will focus on the art of Beethoven and Satie to show how different music can be in its aims and purposes.
Beethoven’s Symphony No. 5 is a legend in the world of classical music. It represents inner fight of as man who has to choose its further way in life. It is not surprising that the second title of the symphony is Fate. Beethoven’s fate is not the music for relaxation. It is dull of controversies and opposition which cannot leave anybody indifferent. The melody transforms from the nervous passages from the first movement to the calm and moderate moods in the second one.
This music shows inner hesitation of people when they need to make their life choices. Gravy full chords in the beginning of the piece quickly transform into the light passages which remind thoughtfulness young people who cannot focus on the most important things in their lives. At the same time, the fate theme interrupts any light process in one’s thinking making everything more complicated.
The second movement of the symphony is totally opposite to the first one. It reminds of a place when all people can feel calm. Harmony and calmness are two general values which are recognized by different world cultures and people. In this way, the symphony meets their standards and becomes universal in the context of global community. Overall, the music by Beethoven is never simple. It is full of controversy, hesitation and fear. At the same time, it represents great feeling of optimism, harmony and happiness. Perception of Beethoven depends on one’s mood to the great extent. All people are free to find reflections of their life problems in this complicated, controversial and beautiful music.
Music by Erik Satie traces a totally different message for its listeners. For instance, Hypnomedie № 1 by Erik Satie is music of modernity. It is less certain than
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