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According to Solis (185), a C major tonality is suggested by the chordal movement other than C Spanish Phrygian- it’s a relative minor f, harmonic or melodic, or its relative major, A♭ major. Nonetheless, the song ends on a D♭maj7(#11) instead of a C chord- a dislocation which is an attribute of Monk composition (Solis 186). This song was recorded first on the sessions for the album Thelonious Monk Trion by Monk in 1952. Later, it was recorded with Monk as a sideman on Miles Davis and the Modern Jazz Giants album of the Miles Davis. This song was revisited by Monk on his acclaimed 1957 LP Brilliant Corners.
Solis (193) asserts that this song was also covered by Rock band, Red Hot Chilly Peppers in the course of their 1989-1990 Mother’s Milk tour renaming their version F.U. and added some lyrics. Sincen then, jazz music has been changing daily with new styles, lyrics and musical instruments being invented and
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