Country Music and Patsy Cline - Annotated Bibliography Example

Annotated Bibliography - Patsy Cline Lewis, George H. (Ed) All that Glitters: Country Music in America. Bowling Green: Bowling Green Popular Press 1993. P 340. One of the major concerns of the research under question is an investigation of Patsy Cline's music in relation to country music, and Lewis's book provides the most essential resource for an opening study in the area. While focusing on the major aspects of country music tradition in America, the author also provides an exact account of the major composers of this genre.

Here, the details by the author about Patsy can be an awesome resource for the study on the life and works of this artist. Therefore, this book by Lewis is an essential contribution to the research paper. Though the section, "Patsy Cline, Musical Negotiation and the Nashville Sound," seems to be especially useful, every section of the book contributes to a study on Patsy in relation to country music. Ching, Barbara. Wrong's What I Do Best: Hard Country Music and Contemporary Culture. New York: Oxford University Press. 2001. P 1-232.

Ching's book has been found one of the chief resources in any researches relating to country music, and it is greatly effective in this study on the life and works of Patsy Cline. The book focuses on the various characteristics of country music including the importance of lyrics. The subject area incorporated in the book can be a useful in an understanding of Patsy's country music, particularly with regard to the lyrical qualities of her music. Therefore, this resource proves to be an added advantage to an investigation in Patsy's musical merits.

McCusker, Kristine M. and Diane Pecknold (Ed.) A Boy Named Sue: Gender and Country Music. Mississippi: Univ. Press of Mississippi. 2004. P 1-232. This is one of the most useful collections of articles which deal with the various aspects in the life and works of Patsy Cline. The different articles in the edited version focus on some of the most essential features of Patsy's music. In one of such articles, Jensen points to teh quality of Patsy's music who celebrated country music to the fullest.

"When country music was believed to be at grave risk, thank to the 'onslaught' of rock 'n' roll, Patsy was one of a number of country music performerswhose work sold in pop music markets." (Jensen, 111) Thus, every section of this book deals with some significant areas of Patsy's music and life which determines a major research topic of the study. In short, this is a fundamental resource in this investigative study. Kosser, Michael. How Nashville Became Music City, U.S.A.: 50 Years of Music Row.

Hal Leonard Corporation. 2006. P 1-373. Another valuable resource in an analysis of the life and works of Patsy Cline, Kosser's book, deals with how Patsy Cline contributed to the music arena of America. The contribution of several artists in the production of music is the central focus of this book and Patsy's music gains a chief topic of discussion. Michael Kosser makes an important observation about the musical concerns of Patsy, which is greatly significant to this study. Thus, according to him, "She had heart and soul in everything she sang.

Those songs were her life. 'I've got these little things, but she's got you' - that's the way she felt about her love life. She always thought that some man was better looking than her husband." (Kosser, 45) Therefore, many of the essential features of Patsy's music are loud and clear in this book and this turns out to be an important resource in this research paper. Works Cited Jensen, Joli. "Patsy Cline's Crossover's: Celebrity, Reputation, and Feminine Identity." A Boy Named Sue: Gender and Country Music.

Kristine M. McCusker and Diane Pecknold (Ed.) Mississippi: Univ. Press of Mississippi. 2004. P 111. Kosser, Michael. How Nashville Became Music City, U.S.A.: 50 Years of Music Row. Hal Leonard Corporation. 2006. P 45.