Joseph King Oliver - Admission/Application Essay Example

Download file to see previous pages... This "Joseph ‘King’ Oliver" essay describes career, creative evolution and the impact of the Joseph Oliver on jazz music. Joe King Oliver was a bandleader and cornetist with a nickname earned while being a leading cornetist in New Orleans. He decided to move to Chicago in 1918 where he became very successful.
By 1923, Oliver Joseph made some of the new recordings of Jazz music. The categories of music would vary from the light and happy, heavy and serious. Others are full of surprises while easy and smooth; still others are smooth and complicated. Jazz is played by both small groups and big bands and any given musical instrument is in a position to play it. The jazz music comes in varieties referred to as Dixieland and swing, bebop and cool, hard pop and bop. Many of the jazz pieces do not have any particular style designation. Reference to the sound is through the naming of the given musician. Jazz is quite hard in several settings with many bands presenting it as some serious music within different concert halls. There is some jazz played for dancers within ballrooms and another played in the background music of a radio station.
Most of the jazz music is played in the nightclubs where individuals come together to listen to music while they drink and hold conversations with their friends. Listening to “Dippermouth Blues” indicates the manner in which different instruments blend. It is as if every instrumentalist does something different, yet the overall sound has some cohesion, a texture described as “polyphonic” by many musicians....
Many of the jazz pieces do not have any particular style designation. Reference to the sound is through the naming of the given musician. Jazz is quite hard in several settings with many bands presenting it as some serious music within different concert halls. There is some jazz played for dancers within ballrooms and another played in the background music of a radio station. Most of the jazz music is played in the nightclubs where individuals come together to listen to music while they drink and hold conversations with their friends. Question 3 “Dippermouth Blues” Listening to “Dippermouth Blues” indicates the manner in which different instruments blend. It is as if every instrumentalist does something different, yet the overall sound has some cohesion, a texture described as “polyphonic” by many musicians. Within this recording are the three prominent passages of collective information (0:05-0:36, 1:10-1:26, and 2:15-2:32). In addition to this, some characteristic technique that is associated with the New Orleans style, the stop time is included. Time does not actually stop; the band, instead, initiates several repeated accents, which create some silent spaces that require the filling by some soloist. The stop time’s simplest version happens only if a bound sounds on the downbeat of every measure. In such a case, though sounds on the first three beats of every measure, thus, opening the second half of every measure in an effective way. Oliver’s cornet solo over the three choruses (1:25-2:11) has some distinctive “wah wah” which formed part of the signature of the bandleader. In 1923, Oliver Joseph performed his most successful song the “Dipper mouth blues”. Louis ...Download file to see next pagesRead More