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A striking aspect of the story is the non-linear plot structure employed by the author. The story is divided into four compact parts. Chronologically they are arranged in this fashion – 2,1,3,4 – which means the background information about Farquhars allegiance to the confederate cause is placed next to the event of his hanging by Union soldiers. The last two parts are chronologically in the right places, and it is in the crisp and concise fourth part that we learn that the whole of preceding narrative were the final hallucinatory thoughts of Peyton Farquhar.
The material for the thesis is contained in the third part which was only a matter of few minutes but takes up a large chunk of the narrative. This is deliberate on part of the author, for he is trying to show to the reader that there is so much life contained in each passing second. The author is also hinting that we mostly dont enjoy our lives to the fullest, probably because our attention is being diverted from really important things in life like family and children and toward superficial things like status, wealth accumulation, etc.
(Powers, 1982, p.280) By showing to the readers that so much drama could be contained in a brief period of time, Bierce is suggesting that there is a great scope for happiness and enjoyment during human lifetime which we dont realize in the normal course. The high-adrenaline condition created by the thought of approaching mortality had taken Peytons imagination to a surreal zone. In this state of mind, the small hopeful signs of his escape from death looks magnified and magnificent. His powers of perception and the intake of sensory stimuli were taken to new heights.
For example, “He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the
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