The woman In US - Research Paper Example

Yoshiko Chuma was originally born at Osaka in Japan. Chuma migrated to America in the year of 1978 and hence forth, her struggle with life and at the same platform, the struggle to establish her thoughts, beliefs, perceptions and conceptions regarding the aesthetic features and stylistics of modern dance commenced. In the pursuit of her dreams, she arrived in America and started her career from Manhattan. Her stay in America and her dedication towards her work made her a leader in modern American dance within a very short span of time.

In 1998, she almost made the world spell bound by her scintillating performance in Astoria Pools in Queens. She tried to recreate and stage an audience-participatory performance art named “swim-dance”. Her pieces, which are Avant –Grade include “Sundown”, a marvelous performance that takes seven long hours. “Sundown” is an exposition of cubism and is mounted at the Issue Project Space in the year of 2006. This is a quite unconventionality as an artist as Ms. Chuma prefers to walk apart the queue.

Dance for Ms Chuma is more than an art, it is an expression and a platform to say things unsaid, feel things never felt and she bears the witness of an entire period framed in a time in which she grew up. Ms Chuma said, “The majority goes one way, and I’m always kind of biting my finger.” In her words, “I don’t want to go in that group, and I don’t know why. My generation in Japan might have something to do with it. We are postwar children, and probably some of my childhood is hitting this landscape.

Nobody would choose this space for a dance performance” (Kourlas, “For Dance, a Cubism of a Different Sort”). “The area reminds me of a painting of Brooklyn, maybe from the 70’s,” she continued. “It’s not very clean. Manhattan is totally clean now. I think, I want to introduce audiences to this difficult