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Cutural Studies: Postmodernism - Movie Review Example

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The idea of selfhood, if taken from the context of postmodernism, would present to us of a version where selfhood is situated at the helm of one's mere rhetoric, fragmented by many ideologies that have sprung since the birth of skepticism.
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Cutural Studies: Postmodernism
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Download file to see previous pages Such happens in the movie I, Robot, which foretold the landscape of United States of America, some 30 years from today. The film takes place in Chicago in the year 2035, where humanoid robots are as common as cars. It centered on the story of homicide detective Del Spooner (Will Smith), who harbors an intense distrust for robots and their kind. His detestation with robots came from one experience when a humanoid robot picked to save him over of a ten-year old girl during a car accident. Though it wasn't against any logic considering he had the larger probability of surviving between them two, he reacted that the young girl would have deserved to be saved more than him because she would offer more hope for a life which she scarcely lived. His idea was that robots failed to feel this promising hope of youth because they were only heartless metals after all.

The premise of the film was that it happened away in the future, in times beyond the achievements of science and technology of today and which antiquates today's idea of modernity. During that time, humanoid robots would have replaced skilled workers in domestic and service-oriented jobs. With the use of state-of-the-art research, the United States Robots (USR), a fictional company that specializes in robotic technology, aimed to 'humanize' the robots, designing them to be able to mimic human emotion and affection.
Such grandeur goal of making metals able to feel something, or at least show humanly concern is not implausible with the use of technology. What is highly questionable is how to integrate these new, almost-human robots into the human society with out dismantling the basic institutions that govern the society such as law, marriage and governance. It has been shown in the movie how these new forms of citizens become law-resistant owing to the fact that no particular written law has served or protected them. Eventually, with the absence of faculty to comprehend hierarchical responsibilities and privileges, these robots resorted to overpowering human beings, believing that their governance would corrupt no power and is in-line with universal progress and preservation of human race.
The movie wishes to show that the co-existence of human and robots is postmodern, on the same breadth that it never failed to show that such co-existence can be ravage and inauspicious for both parties. Robots, being cultural products of postmodernism as shown in the movie, issue an indomitable threat not only to the society at large, but also to the basic perception of one's identity as a human being for a human being, or a robot for a robot.
Contextually, the idea of selfhood can be articulated by two stand points in the movie: first from the context of the robot, and second, from the context of human beings.
Let me discuss first the idea of selfhood from the context of the robots.
In the movie, 'Sonny', the robot specially designed by Dr. Alfred Lanning (James Cromwell), inventor of the Three Laws of Robotics and ...Download file to see next pagesRead More
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