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Claude Monet's Stacks of Wheat - Essay Example

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Name: Course: Instructor: Institution: Date: Introduction Claude Monet Claude Monet (1840-5th December 1926) was a French impressionist painting and the most consistent and prolific practitioner of the movement’s philosophy of expressing an individual’s perception before nature (Kalitina, Monet & Brodskai?…
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Claude Monets Stacks of Wheat essay
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Claude Monet's Stacks of Wheat

Download file to see previous pages... Monet was on the forefront to lead the way to 20th century modernism through developing one of its kind styles that strove to capture on canvas the very act of perceiving nature. Monet believed that his art was forward-looking and based on a scientific study of nature. This is what he began by believing and never renounced (Kalitina, Monet & Brodskai?a?, 2011). Stacks of Wheat by Claude Monet Claude Monet painted 25 canvases of wheat stacks at Giverny between the late summer of 1890 and the spring of 1891. Monet’s series stacks of wheat represent his first well designed series (LEWIS & LEWIS, 2009). Although the series proffers neither a narrative nor a straightforward allegorical message, it is rich with significance on different levels (Art Institute of Chicago, 2000). Through 1890 and 1891, Monet worked on this series both in the field, painting simultaneously at several easels and in the studio, refining pictorial harmonies (J. Paul Getty Museum, 2008). His breakthrough in painting career was motivated by an unprecedented critical and financial success together with the explicit history of French art (LEWIS & LEWIS, 2009). Monet asserted the cyclical essence of the seasons and of his own creative activity. Notably, he was unbelievably responsive to the nuances of nature (Art Institute of Chicago, 2000). ...
The melting of the snow was a representation of the earth and the features of the background with the sun glowing gently as opposed to glowing angrily. In this series, the stack seems to loom larger than those in Sunset, Snow Effect, but their actual sizes are roughly equal. His main intention was to see the Stacks of the wheat paintings function both independently and as part of the series (Art Institute of Chicago, 2000). The monumental stacks depicted in the paintings arose 15 to 20 feet and stood just outside the artist’s farmhouse at Giverny. The stack-according to Monet-was a resonant symbol of sustenance and survival (Art Institute of Chicago, 2000). The Stack’s association of abundance and of man’s ability to sustain himself and his animals on the richness of the harvest are obvious and compelling. His subsequent series after the 1891 depicted poplars, the farcade of Rouen Cathedral, and later his own garden at Giverny. In Monet’s painting, the sun casts a golden orange over the wheat stack. This shadow was a representation of a contemporary color blue-lavender (Art Institute of Chicago, 2000). Although the mundane subject was dominant throughout the series, the outstanding theme of the series was the transience of light. This concept enabled Monet to use repetition to show nuance of perception as series, weather changes and time of the day (Richard, 1987). The dominant subject provided the foundation from which comparisons could be made in changes of light across this series (Art Institute of Chicago, 2000). Traditionally, it has been thought that the motifs in the Monet's Stacks of Wheat Series paintings were just objects utilized to explore how light, color and form changed during the day and in regard to different weather conditions (Richard, 1987). ...Download file to see next pagesRead More
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