The Iconography in the Work The Clinic of Dr. Gross by Thomas Eakins Introduction Throughout history, the culture and the arts have either merged well with or in an opposite position against political or popular leaders and personalities of the time. Leaders and personalities always mean the content of society newspaper pages, or the so-called talk of the town, those who have, attendants as well as speakers of social functions and important gatherings…
Download full paperFile format: .doc, available for editing
Download file to see previous pages
This social divide may have been typical of many societies throughout history that it is sometimes ironic that the products of this opposite side are “honored”, collected, or soon appreciated by the prevailing side (politically and economically well-off). With this premise, this paper will try to determine the representation of The Clinic of Dr. Gross. But prior to a full understanding of any artist’s work, it is important to comprehend the artist: or at least an overview of his life, his art work themes, passion, and others that may shed light to any perceived mystery or message that might be conveyed in a certain work. This is applicable to Thomas Eakins’ The Clinic of Dr. Gross. Thomas Eakins Eakins is one of the more important American realist painters who was also an avid photographer and innovator in the field of photography. In addition, he was also a passionate educator who rose from being a volunteer in 1876 to director by 1882 in Pennsylvania Academy (Foster, 102). In his paintings, Eakins used Philadelphia personalities as his subjects and he has focused on the human figure moving, the anatomy of human and animal body as depicted in his commissioned work with William Rudolf O’Donovan in 1893 to 1894 that created the Lincoln and Grant bronze sculptures in Brooklyn, New York (Goodrich, 282). Eakins is known to have finished hundreds of paintings and his subjects depicted his friends, family, and people known to him. He has been described by Goodrich as the most profound and strongest realist in his time and maybe, beyond (Goodrich, 283). In the words of Kimmelman (P 5), Eakins’ work: is bound up with our national identity as much as any other American artists’, to the point that it remains nearly impossible to see America, or at least to look back on the country in the 19th-century, without some refraction through his art (1). Eakins painted nude men swimming, rowers, sailors, baseball players, his students, himself, professors, sitters, models and artists, boxers, wrestlers, and more (Simpsons, 28). While most of his active life as an artist showed a difficult appreciation by the public, Eakins was recognized starting in 1902 when he was made National Academician. His wife Susan Macdowell Eakins, also an artist, had been cooperative and provided much of Eakins’ paintings to the Metropolitan Museum of Art, the Pennsylvania Academy, and the Philadelphia Museum of Art (Goodrich, 283). The Clinic of Dr. Gross For a modern viewer and un-initiated, the painting, a large 96 inches by seventy eight inches, depicts a theater, probably spherical because behind was the audience, and yet, the painter’s perspective was at the front. There in the middle was the main subject in his coat; much the same like the others. His erect body posture exudes confidence and power, while all about him, the men of the same dark colored outfits attend to their business, except for one who has a frock and dress but also of the same dark garment, whose face was turned, her hand and fingers clawed as if to defy pain. The audiences on the background were either attentive or sleepy, but there was one who seems to be busy taking down notes. With the bloodied hands, the exposed flesh, and the medical instruments on the foreground, one will conclude
...Download file to see next pagesRead More
Cite this document
(“The Iconography in the Work The Clinic of Dr. Gross by Thomas Eakins Term Paper”, n.d.)
The Iconography in the Work The Clinic of Dr. Gross by Thomas Eakins Term Paper. Retrieved from https://studentshare.org/history/1438410-investigate-the-iconography-in-the-work-of-the
(The Iconography in the Work The Clinic of Dr. Gross by Thomas Eakins Term Paper)
The Iconography in the Work The Clinic of Dr. Gross by Thomas Eakins Term Paper. https://studentshare.org/history/1438410-investigate-the-iconography-in-the-work-of-the.
“The Iconography in the Work The Clinic of Dr. Gross by Thomas Eakins Term Paper”, n.d. https://studentshare.org/history/1438410-investigate-the-iconography-in-the-work-of-the.
Tulp, the anatomist, showing a group of curious citizens and medical professionals the musculature of a cadaver’s left arm (Masquelet). A later oil painting, The Gross Clinic, beautifully done by the American artist, Thomas Eakin in 1875, portrays Dr. Gross operating a young man’s leg while lecturing to a group of medical students (Floryan 2011).
Also, he did not want his portrait hung in public places, as is the norm for other African leaders such as Blaise Compaore. His reasoning: ‘There are seven million Thomas Sankaras’. (Thomas Sankara: The Upright Man) This was the man that brought about revolutionary changes in his four year stint as President of Burkina Faso and was the focus on the documentary titled, Thomas Sankara: The Upright Man.
To ask one to forget the humiliations and injustice meted out to the native people by the colonial masters, just because they have been granted/achieved independence, is illogical. They can forgive, but should never forget and be ever vigilant at all levels-importantly in the areas of economics and defense.
Within the summary, the main thesis, how it is presented, and the organization of both books will be presented. In the critique, we will see what the prejudices of the author are, how the prejudices affect the authors’ views of the subject, and what the authors’ conclusions are as well as how the prejudices affect the conclusions.
It is a way of communicating some ideas or views the audience. It provides the artists with the humble opportunities to emotions and feelings about a given subject or some event. Portraiture is one area of art that has historical significance. It involves the creation of some artistic images of persons through painting or through photography.
Family and Child will start as a non profit organization of an already established nonprofit hospital. This sort of arrangement is referred as fiscal sponsorship. Feasibility will help to determine whether time is convenient to launch the project.
Symbolism in iconography has been important in art over the centuries, including this one, for its ability to convey more meaning from a painting to the beholder about the subject matter, which is often spiritual in nature.
Wikipedia.com states that iconography "usually refers to the design, creation and interpretation of the symbolism within religious art." Hinduism and Christianity use a lot of symbolism in their art, while Muslims are forbidden from viewing iconic art.
This is shown by the support of USA law on 1949 Geneva Accords since the four conventions which were initiated in Geneva have been ratified by the USA law. For instance, in convention 1 article 3 people are protected against torture, assault, attack
The author explains that the color of the Buddha is represented by a golden shade. The body complexion has blue shade while the eyelashes resemble a cow’s. The palm and foot are softly paired with long fingers and toes. The face of the Buddha is represented by a youthful stature. Having a youthful face is to symbolize the ordinary process of the Buddha.
3 Pages(750 words)Essay
GOT A TRICKY QUESTION? RECEIVE AN ANSWER FROM STUDENTS LIKE YOU!
Save Your Time for More Important Things
Let us write or edit the term paper on your topic
"The Iconography in the Work The Clinic of Dr. Gross by Thomas Eakins"
with a personal 20% discount.