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Analysis paper - Movie Review Example

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Name Instructor Class 10 March 2011 Detachment and Attachment in The Road to Sampo Road trips are done for either deeper or shallow motives. In the short story, The Road to Sampo, by Hwang Seok-young, Youngdal is on the run with no solid direction, middle-age ex-convict Chung simply wants to go home after ten years of imprisonment, and former barmaid Baek-hwa escapes her prostituted life to go back to her hometown…
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Download file to see previous pages There are similarities in Youngdal’s story and what happened between him and Baek-hwa, but there are also differences in how Youngdal and Chung found White Flower, what happened during the journey to the train station, and the ending. As for the visual aspects, the story and the film focused on the environment and how it reflects the diverse forms of attachment and detachment of the three main characters, but the film underlines more the development of friendship and love in its narrative through dialogue and sound. There are similarities in what happened to Youngdal in the story and the film. Both show that he is caught having an affair with a restaurant owner's wife and so he runs away. Youngdal is also suffering from the “nomad complex” in the text and film. He has a hard time finding that special something that can make him permanently stay in one place. It could be because of lack of economic opportunities though, which the story explores more than the film. In the story, Youngdal shares with Chung how he separates with Okja, because he lost his job and Okja needs to work in another place. They promised to be together again, but they know that they are young and poor. Love is not enough to fill hungry stomachs. Furthermore, the story illustrates the detachment or sense of loss that workers feel, because of Korea’s rapid industrialization. In an article, Kwon Yong-min says: “The Road to Sampo sketches Korea in the 1970s well, showing its rapid urbanization and relentless industrialization. It symbolically shows the sense of loss that the “uprooted” laborers experienced…” (Park 90). This sense of loss pervades in all three characters. They may not be wandering aimlessly together, but they share sentiments of uncertainty in their lives. Furthermore, there are differences in how Youngdal and Chung meet Baek-hwa in the story and film. In the film, they meet her at a restaurant in town. In the story, Youngdal and Chung meet her under a pine tree, while she is urinating. It seems that this scene was changed to avoid sexual connotations. Moreover, in the story, Youngdal and Chung did not change their course only to search for Baek-hwa. They are only heading to her direction by chance, because they are trying to catch a train to Gamchun, so that they can take a faster route to Sampo. In the film, they seek out Baek-hwa for the money. The motives are different, but they eventually find Baek-hwa in the story too through coincidence. Furthermore, in the story, Baek-hwa talks a great deal as they walk in the snow. In the film, she and Youngdal converse with each other. Despite not speaking so much in the story, Youngdal and Baek-hwa bonded well, because he had to carry her on his back after Baek-hwa sprained her ankle when she fell in a ditch. The physical actions replace the need for conversation. They do not have to speak to understand that they are similar in many ways, for they are both cold and lonely. In the film, there is much dialogue between Youngdal and Baek-hwa. It seems that they are dating. Dialogue and music play a large role in developing their romantic feelings. Both the film and story employ the environment to describe the characters and their experiences of attachment and detachment. The story often describes the environment in relation to characterization and plot development. For instance, after ...Download file to see next pagesRead More
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