Humanities: compare three literary, philosophical or visual pieces of art - Research Paper Example

The paintings were also balanced and neat, to exemplify logic that is rampant in the times. Leonardo da Vinci was one of the famous persons during that time. He was a painter, inventor, engineer, etc. He was described as the archetype of the Renaissance Man (Gardner, 450-456). He is always compared to Michaelangelo, another artist: he is a painter, sculptor and an architect. Giovanni Bellini is also a famous Renaissance artist, having mentored two Renaissance artists, namely: Giorgione and Titian.

Leonardo da Vinci’s Madonna sketches were fast sketches, like studies. They usually focus on the face of a woman, and they are more of illustrations. But his paintings are more complex, with intricate details full of meanings and characters with subtle roles in the meanings of the painting. His paintings are like puzzles. Michaelangelo’s works regarding Madonna are more famous, starting with the Pieta which features the Virgin Mary and a dying Jesus Christ. Michaelangelo’s Madonna of Bruges is also a famous artwork, but it features Mary with a baby Jesus.

Bellini’s Madonnas are similar to that of Michaelangelo’s in a sense that they feature Mary with Jesus, and they highlight the maternal bond between them. Three of these Renaissance artists have the Madonna as their subjects, although they have different treatments for it. Starting with Michaelangelo as a man who sculpts (even if he paints!) Madonna figures. Leonardo da Vinci, like Bellini, likes to paint the Madonna. The major difference in their works is the composition. Bellini’s works are more standardized, and straight.

His paintings are very well balanced. Leonardo da Vinci’s paintings on the other hand convey movement, and are quite dynamic. Unlike Bellini’s paintings which are more structured and constructed, da Vinci’s lines are more fluid. The expression of the subject’s faces in these two painter’s works are also contrasting. In da Vinci’s works, the faces are more expressive, as compared to Bellini’s works. In Michaelangelo’s Madonna, the lines of his sculpture are also dynamic. Even if the Madonna is sitting (as in the Bruges), you could actually seem to know what she is thinking and it is not just a blank stare.

His Mary in that sculpture is somewhat cold, yes, but it seems to tell the audience that she knows that the child she has in front of her is bound to die in a cruel death. In Pieta, we see Mary bowing down to mourn for her son. It is probably the most famous rendition of the Madonna. Michaelangelo’s sculptures are quite intricate and they are also pregnant with meanings and implications. His treatment of the Pieta is similar to that of da Vinci, with subtle meanings and without really a care for balance.

Their works are more dynamic in nature. As time went, the Madonna was painted alone, without her son. This was because her image is venerated and can stand alone, because it can readily be identified as a potent symbol of maternal bond, love and compassion. Edvard Munch Madonna is one of the famous paintings that Edvard Munch made. Madonna, as the name implies, is the Virgin Mary. This portrays Mary in a sensual pose, suggesting that she is intended to demonstrate that she is in the process of intercourse, as seen from a point of view of a man.

The pose and the expression of the woman is ecstatic and free, unlike other Madonna images, but at the same time, the features of the woman is similar to