Acting and Acting Styles - Assignment Example

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Costume also acts a big role in acting. The make-up and wardrobe limns the actor’s status or personalities. It is also used to produce the divergence…
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Acting and Acting Styles Acting The setting of scenes is vital in creating mood, sense of place and reflects the emotional state of mind of the character. Costume also acts a big role in acting. The make-up and wardrobe limns the actor’s status or personalities. It is also used to produce the divergence between two or more characters.
In off-screen space, the actor uses a non-physical present space in the frame. In this action, the person who views is able to realize something beyond the stage frame through the response of the character to the person. In Frontality, the character faces the camera directly. This provides the viewer with face to face interaction with the actor (Gibbs, 2013).
Acting Styles
The most common acting styles in film industry are naturalistic and stylized acting. Naturalistic actors are mandated to be in oneness with the character’s dress, mannerism and upbringing. He must have un-distinguishable character. Stylized acting depends on an approach that is more conspicuous to put across the director’s point. They produce comic effect through characteristic hyperbolism through dramatizing (Anderson, 2009).
The significant placement of actor is known as blocking. In this style the actors are positioned in a way that can shore the dominance of a character over the other. It also depicts the grandness family and other relationships possible. This is used in the film to show the supremacy of the God Father (Coppola, 1972). The special effect acting style of Rear Projection is often used to give an illusion of a film scene on a location. It involves a combination of present foreground action and pre-filmed background footage. It is common in driving scenes. The un-realistic looking technique of this style is evident in the Romantic comedy by Hudson (Reed, 2003).
Anderson, P. T. (Director). (2009). There Will be Blood [Motion Picture].
Coppola, F. F. (Director). (1972). The God Father. [Motion Picture].
Gibbs, J. (2013). Mise-en-Scene: film Style and Interpretation. Columbia: Columbia University Press.
Reed, P. (Director). (2003). Down With Love [Motion Picture]. Read More
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