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However, the word “theatre” also acquired different meaning that was also called non-Vitruvian. It appeared when it becomes fashionable to show performances outside. Thus, “theatre” also meant “performance”, not building, as performances did not need a construction to be showed in anymore (Anderson 7).
The term “illusionistic perspective background” is used by Anderson, when he wants to explain to readers Sulpicio’s reference to “painted scene”. According to the author, this reference remains obscure as it was not believable that the theatre of this time used such background (Anderson 5).
According, to Anderson, “theatres” were impermanent in the 16th century mainly because performances were rarely showed in special places for performances, which we call “theatres” now. Teatro Olimpico remained the only permanent place, but performances were showed rarely even there. If some constructions were created, they were dismantled soon. The word “theater” still was used as a synonym for the word “performance” and not “a building for performances”. Moreover, in the 16th century it was fashionable to invite actors to private houses to see the performance. People preferred performances to be showed in their houses and did not usually visit theaters (Anderson 16).
Anderson does not state that “theatre buildings” were really important for art and its development. He writes about outstanding performances, which were held in 15th and 16th centuries and they did not need any special buildings, they could be held everywhere and this was a real art. I think that art in a free form is more pleasant and this is a great art. Actors worked without any special preparation, they were really gifted people who could start playing their performance at any moment without any special effects and costumes modern actors use. However, I agree with
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