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Art Deco Homework THE IC LOUIS GHOST ARMCHAIR Image retrieved https www.google.com/search?q=picture+of+THE+CLASSIC+LOUIS+GHOST+ARMCHAIR&client=firefox-a&hs=Hbw&rls=org.mozilla:en-US:official&channel=sb&tbm=isch&imgil=ANqcE1Y5nH5XjM%253A%253Bhttps%253A%252F%252Fencrypted-tbn0.gstatic.com%252Fimages%253Fq%253Dtbn%253AANd9GcSbNIriOA8CyT7DqS4Pb-nTjqkDTU1DNi4ifda87wVMv7wN-8wvPQ%253B540%253B813%253B93dx6voSQPo9dM%253Bhttp%25253A%25252F%25252Fwww.apartmenttherapy.com%25252Fmodern-classics-the-ghost-chair-176685&source=iu&usg=__Hk9qwRkvPoXBKm3JolsBOYCbWYg%3D&sa=X&ei=DvpTU8SnBsiJ7AbEkIGICA&ved=0CDIQ9QEwAw#facrc=_&imgdii=_&imgrc=B1JNjZY6M0zuqM%253A%3B6oUw-KOd0PSoFM%3Bhttp%253A%252F%252F3.bp.blogspot.
com%252F-7jjcUAJe4_w%252FTyNFh-GX44I%252FAAAAAAAAAFw%252FxR1OUAXlZts%252Fs1600%252Fghost%252Bchair%252B1.jpg%3Bhttp%253A%252F%252Ftiffanyleighinteriordesign.blogspot.com%252F2012%252F01%252Ffavourite-furniture-fridays-louis-chair.html%3B550%3B550 The Louis ghost armchair is a postmodern champion of technical innovation and has a historical style. Louis ghost armchairs are truly unique products and amazing chairs designed by Philippe Starck in 2002 for Kartell Company in Italy. They are named after a European monarch whose period style inspired the design of the armchair.
The chairs are made by translating the diverse lines and official geometry of its precursor into one form by injecting polycarbonate in a single mould; they can be transparent or colored polycarbonate. The Louis ghost is a modern chair with a medallion backrest for leisurely comfort, the chair is well balanced and suitable for indoor and outdoor use, fit for a king. Philippe Starck designed the Louis ghost armchair as a contemporary take on style of a French king Louis xv. The chairs are luxuries; comfortable and super stylish, hence it encompasses the elegance of royal taste on a peasant’s budget (Carabet & Shand, 76).
Taking on a number of the styles of its original design, I find it more interesting that the Louis ghost armchair is designed modernly and very comfortable furniture. It was molded in durable and shock-resistant polycarbonate. The chairs are available in various colors that suit any interior or exterior setting. Rather than being made out of mahogany wood like its forerunner, it was created out of polycarbon, making the chair both lightweight as well as durable. The Louis ghost armchair also helps solve one worrying problem common with furniture, when moving or keeping.
Unutilized furniture space is a key issue but with the Louis ghost armchair, this is solved as the design allows the chair to be slanted on top of the other with each fitting into the r hence occupying minimum space during transportation or storage. The ghost name comes from its transparent look giving it the illusion of a ghost (Carabet & Shand, 80). In this context, Louis ghost armchair is considered as a key contributor to art deco as its designing style is characterized by the use of modern technology with the use of new material, such as polycarbonate and also through proper management, the ghost chair can be dissembled and recycled quickly and easily.
The production was of high level and sophisticated techniques used for the new technology was needed to pull up some of the complicated moulds, the void and curved backrest especially. The Louis ghost armchair is considered a true modern design, naturally associated with art deco and also one of the most significant design pieces of the last decade. The chair has a great appeal and outstanding visual appeal that gets a touch of stylishness and style to any central space. It blends well in any room that is: the hall, living room and can be used as a set of dining chairs (Carabet & Shand, 29).
Just like any work of art, this design has some flaws. Despite its transitory and glassy appearance, the chair is quite strong. The look of the chair, as translucent and ethereal as it is, brings the impression that it is not sturdy. The Louis ghost Chair truly performs as well as a woody chair of the similar type Works Cited Carabet, Brian, and John Shand. Spectacular Homes of Georgia. Gibbs Smith, 2005.
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