Liberty Leading the People Art - Term Paper Example

Art and Advertisement Introduction Romanticism is a stylistic movement in literature and art between 19th century and 18th century during the revolt against the previous century’s Neoclassicism. There are various characteristics of romanticism literature ranging from its emphasis on individualism and subjectivity; freedom from stipulated rules; spontaneity; beliefs that imagination is a devotion to beauty and superior to reason; life in solitary rather than society life; the fascination with history, especially with the mysticism and myths of the middle ages; and worship and love of nature. Initially, the literature of romanticism referred to the romances characteristics, whose profligacy carried pejorative connotation in some way. The term however came to assign another type of exotic landscape in the 18th century that evoked the melancholy pleasant feelings. Throughout the early 19th century, romanticism remained an intellectual and artistic movement that is characterized by individual focus on the freedom from political restraints and social conventions, on the nature and human imagination in a typically idealized form. However, most of the romantic authors had special interest in particular culture within the middle ages (Beres 209). Art and advertisement has also been an emerging aspect by artists who derive their themes from historical artists. This paper therefore seeks to discuss the Liberty Leading the People art and its affinity or appropriation of the characteristics of romanticism in relation to the contemporary art advertisements. This Liberty Leading the People art draws on an historical artistic Romanticism movement and style. Liberty Leading People Painting Several art advertisements compares well with the historical paintings and arts. For example, the art that was used to advertise the rejected Viagra sponsorship draws elements of the Liberty Leading the People is a romantic painting. The painting was influenced by political and social events as well as historical conditions. This makes painting a reaction of the transformation and changes of the society. The liberty leading painting was painted by Eugene Delacroix in 1830. During this century, physical materialism, Neo-Classical, industrialism and quest of knowledge was brought about during this period. Delacroix utilized romanticism in his art. This is due to its reflection of the current style of art (Beres 201). Advertisement of Viagra rejected sponsorship Romanticism combines violence, terror, and heroism, this makes war it’s an ideal vehicle. This is clearly depicted in the Liberty Leading the People in its depiction of the revolution of July 1830. Just like the advertisement of Viagra rejected sponsorship, Liberty Leading the People contains a sublime quality because it communicates intensity, grandeur feelings and greatness. Romantic paintings of nature usually have sublime incorporated in them as indicated in the Eruption of Vesuvius and the Wreck of the Hope. The paintings actually entail bold brush strokes and dark colors. The liberty leading painting demonstrates the preferences of an artist and the value of the society during the period of romanticism (Beres 180). These elements of historical arts and paintings have been observed in the modern art advertisements. Modern artists have since derived their artistic themes from historical artists in order to sell. Romanticism as shown in these two paintings is particularly concerned with much of emotion than mere rationality. It put a lot of value on individuals more than it does to the society in general, and values nature over the city. Romanticism questions rules, social protocol and conventions. It figures out humanity as living in nature in form of a morally superior and a civilized humanity. The literature of romanticism conceives children by nature as those corrupted by their nature of surroundings. It focuses on the expression of individual and personal emotions. Romanticism was not only evident in the literature in the 19th centuries, but also exhibited in music, art and architecture. The two arts show that the American Romanticism was influenced by the frontier promises of growth, expansion, and freedom. However, this spirit of optimism was not in Europe. Imagination led to emergence of the new perspectives and culture (Beres 198). Generally, romanticism has the following characteristics: Static characters with no development The setting and the characters are set apart from the general society Mysterious, incomprehensible, and irrational universe Causality gap A formal language Silences within the text showing universals instead of truths Justice for the good A plot that demonstrates honor and integrity, romantic love, and self idealism Supernatural visions As seen in these two arts, the primary aim of romanticism included things like: belief in the humanity goodness and return to nature; the exaltation of emotions and the senses over intellect and reason; the nationalistic pride development; and the discovery of artists like a supreme creator of individual. Nevertheless, romanticism was particularly a revolt of philosophy against rationalism (Beres 200). The artists of Romanticism and Transcendentalist have communicated Romanticism in the shape of Transcendentalism through the writings of the faithful. These artists have published lengthy works in a range of types on several subjects, expressing Romantic ideals in their own way. The Transcendentalist and Romanticism artists have also conveyed their philosophy, creativity, and concerns through shorter pieces that were printed in the mid-nineteenth century in the periodical publications important to the intellectual life. Conclusion In summary, Liberty Leading the People acts as a piece of propaganda. Delacroix Eugene created Liberty Leading the People just after the 1830 July Revolution where Charles X, the monarchy in France was overthrown. The quest among the French was symbolized by this painting. On the other hand, the ad painting also symbolized the cause of revolutionary purity and the campaign against Viagra just as Liberty Leading the People indicated the campaign by French for change and liberty. This can be seen at the focal point of the Liberty Leading the People in which a woman loosely clothed and holds a musket and revolutionary flag of the French people (Beres 179). Although the artists of the Romanticism and Transcendentalist comment against the values and tenets of the Age of Enlightenment, Enlightenment rescued history from the philologists and the antiquarians. The authors (Emerson, Thoreau, Hawthorne, and Poe) communicated Romanticism in the shape of Transcendentalism through historical arts and paintings. They have also expressed Romantic ideals in their own way. The artists have also conveyed their philosophy, creativity, and concerns through shorter pieces of printed publications that were very important to the intellectual life (Beres 180). The paper discussed the style and movement of Romanticism and their characteristics and association with the Liberty Leading People painting. The artists have used their characters and thematic details to comment against the values and tenets of the Age of Enlightenment through their paintings that are today evident in various art advertisements. The artists have commented against the values and tenets of the Age of Enlightenment using their themes in that man and nature is one, and that God and nature need to coexist, and that when a man simplifies his life and lives with nature as one, he would be peaceful with himself and the world. It is also evident from the analysis that the authors of Romanticism and Transcendentalist like Emerson, Thoreau, Hawthorne, and Poe has communicated Romanticism in the shape of Transcendentalism through the paintings such as the Liberty Leading People paintings. Various historical artists have also published lengthy works in different types of subjects, expressing Romantic ideals in their own way. These artists have also conveyed their philosophy, creativity, and concerns through shorter pieces that were printed in the mid-nineteenth century in the periodical publications important to the intellectual life. Works Cited Beres, David. Psychophantic Relations With Art: Analytic Romanticism and the Problem of Perversion Contemporary Psychoanalytic Studies. 2012, Vol. 15, p175-208. Read More