Edvard Munch and Salvador Dali - Essay Example

The real world is not through the real plots, but through the complicated "crying" image of unfortunate love, jealousy, and, at last, death. It is the life of Munch that led him from the classical painting closer to Gauguin and Van Gogh. His gift and emotions were conveyed through the expression

Munch reflects the mixed tragic feelings in the picture "Madonna". Naked Madonna is depicted as a sensual, attractive, mysterious woman. The general disturbing background of the picture, the color and plot – the coming thunderstorm, the tired eyes of a woman, and her bluish-black hair – create the feeling of inevitable trouble.

The representative of symbolical modernism, Munch depicted the most emotional human feelings, remaining inherently a realist connected with the people represented by him by general experiences and sorrows. Munch created several self-portraits, which capaciously expressed his views on life. The irony and skepticism are connected in them with the humanity of a man who lived a long human life (Eggum).

Salvador Dalí's creativity always drew the attention of psychoanalysts. Sigmund Freud had the opportunity to watch the behavior of the gaining strength artist, the admirer of talent of the founder of psychoanalysis. Freud, who criticized surrealists, had to change his opinion after he met with Dali (Novak). Having a truly natural gift of introspection, Salvador Dalí perfected his ability due to the works of Freud. Using the principle "dreams in reality", playing dreaming symbolics, and representing a dream as hypnotic reality, S. Dali represented the peculiarities of his own life. The artist knew the meaning of symbols in the subconsciousness of a person and perceived them intuitively. He showed his state of mind, emotions, and feelings in his pictures. In the picture, The Sacrament of the Last Supper, original in its composition that testifies to the maturity of the picturesque skill of the artist, Dali continues the traditions using religious plots to transfer the deep humanity and disclosure of physical and spiritual beauty of a person. Symmetrically located figures of apostles emphasize the central image of Christ, who is a personification of the true humanity and spirituality of a person. Instead of habitual asceticism, we find the sublime and thin, almost womanly beauty, the fiery look of the black eyes, gently roundish young face. Dali’s Christ is a human with feelings and emotions (Hamerman).

            Making the characters emotional, Munch and Dali expressed their humanistic views, which they got during their life. Looking at their pictures, we see real people with their feelings, suffering, and tragedy, which makes us sympathize with them.