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Clifton and Plath on the Feminine Identity - Essay Example

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In the paper “Clifton and Plath on the Feminine Identity” the author discusses the topic of identity—both personal and cultural. What is the American identity? Such questions gave rise to the confessional poets, to whom Sylvia Plath and Lucille Clifton belong…
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Clifton and Plath on the Feminine Identity
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Extract of sample "Clifton and Plath on the Feminine Identity"

She describes herself as a "jungle girl/quick as a snake/a tree girl," (4-6). In aligning herself with such images as a jungle, a snake, and a tree-dweller, she is making a direct allusion to the African identity.

Throughout American history, the image of the "African savage" was utilized as a means of persecution, keeping black Americans under oppressive rule by the larger society. Africans were believed to be tribal jungle-dwellers, savage and uncivilized, and particularly dangerous for their lack of Christianization. Furthermore, the African religions were heavily focused on nature, spirits, demons, and magic, which made them even more frightening to white Americans, who were largely Protestant and highly hostile to Paganism and superstition.

Clifton's reference to being "quick as a snake-" the snake being the Christian symbol of evil-seems to be an open embrace of the white-American view of the Africans as being aligned with evil and Satan-worship for their ritualistic beliefs. This embrace of a taboo culture is further emphasized in the repeated phrases: "I met me." She has met herself, meaning she has rediscovered her own identity-an identity that has long been buried under social beliefs that it was shameful, uncivilized, and even subhuman.

But Clifton also brings a feminine element into her poem, calling herself a "jungle girl" and a "tree girl." Throughout western history, women have been aligned with nature, specifically with the cyclicality of nature, which is similar to the cyclicality of female fertility. Possibly even more revealing is Clifton's description of herself as being "quick as a snake." Snakes have also been ascribed to femininity as, in the Bible, it was a woman (Eve) who fell under the serpent's sway. On the Sistine Chapel, Michelangelo went so far as to paint the serpent itself as having the face and torso of a woman.

Thus, Clifton is rediscovering two socially repressed identities: her African identity, and her feminine identity. 

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