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Initially, you would think about it as a direct compliment to the writer's mistress considering the words being used; nevertheless, it went unflatteringly to the mistress.
What's pleasing about the reading is how the visual aspect of the sonnet is complemented by the words and the Rhyme scheme used. Also, it is interesting how the writer referenced other poets in the past and used their work to parody its thoughtlessness and predictability.
I am particularly drawn to the writer’s satire over the hyperbole of the allusions used in conventional poetry. The writer’s mock over these representations express his strong dissent on comparing two entities unfairly; it is one-sided in a sense that one is being fooled or belied (the mistress) and one remains stationary (the natural entities) - not having to feel all these predictabilities because they are lifeless. This disagreement suggests that the writer feels it’s not fair to resemble one's affection with things that are beyond reality; unfathomable notions. The reading taught me how to appreciate other people for who they are. Also, it taught me to become more realistic and always strive to evade disproving statements that may cause pain to someone, especially those who are close to me.
Second, Sylvia Plath’s “Daddy” demonstrates a rather complicated concept. She integrates her personal life with some historical, religious, and psychological themes. This rare combination created a piece of art that opens up for manifold interpretations. The poem depicts a story of a girl who suffers from the memory left by her father who passed away. What is most interesting about the poem is its autobiographical tone. It relates to the personal life of Sylvia Path. There are passages of the story that suggest a range of how his father’s memory affected her. In the poem, it goes “At twenty I tried to die. And get back, back, back to you. I thought even the bones would do.” It shows how desperate she is to be with her father’s company once again. The poem also includes the life she had with her husband. She describes her husband as a vampire; someone who destroyed her life. She writes: if I've killed one man, I've killed two- The vampire who said he was you; and drank my blood for a year. Probably, the most telling part of the poem is how it goes consistently with her life, which asserts the autobiographical tone of the piece.
Third, one particular reason why this reading is quite puzzling and difficult to decipher is the fact that it uses metaphors to indirectly and ambiguously make connections with its underlying meaning. Of course, given that most poems have unclear or implied context, it makes them more difficult to understand. The poem shows how cunning and complicated Sylvia Plath's poetry is. It prevents the ease of resorting to visual interpretations of the mind to easily understand the poem. Even more, it uses metaphors that are uncommonly, unexpectedly relatable to the intended meaning of the poem.
The poem depicts pregnancy. I love the way Sylvia presented her ideas by being more creative. There are frivolous undertones that go with every line, which makes the poem more exciting to puzzle out. The poem starts with the line "I'm a riddle in nine syllables". This line provides an indicative cue that will help readers determine the concealed implications of the succeeding lines. Plath declares in the first line that the poem has something to do with the number nine. The next line likens her physical features as a pregnant woman with that of an elephant. An elephant is a huge animal; hence, it is heavy. A pregnant woman increases in weight and size during pregnancy. Plath uses an uncommon metaphor to resemble the woman’s womb, that is, the ponderous house. It is interesting to figure out how the third line is being worded. Tendrils are, of course, thin while a melon is significantly larger compared to the tendrils or stems. This depicts how her womb made her legs look smaller. One tricky part of this poem is how Sylvia Plath divided it into three; there are nine lines in total; each three-line division revolves around the same subject. The first division conveys the physical description of the pregnant woman; the second division conveys the fetus inside her womb; and, the third division talks about the mother's duty and responsibility towards her developing child. The poem, on the whole, is both thought-provoking and fun to scrutinize.
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