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It is an eight feet tall sculpture thought to have been made in honor of goddess Nike as well as a prominent naval victory. This can be seen in the sculpture itself which portrays triumph in action apart from artistic skills and material as seen in the features. Excavations done in the modern era tend to hint at the sculpture having occupied space above some theater accompanying the altar which could be seen from Demetrius Poliorcetes’s ship memorial. It initially was part of a Samothrace temple that was dedicated for their gods (Megaloi Theoi). The work artistically symbolizes the goddess-Nike when she descended from above to meet her triumphant navy before losing arms which were never recovered. It is believed she descended to declare victory.
This work is commendable for convincingly portraying a mixture of feelings; violence meeting sudden tranquility. It also shows great balance of grace and its garments persuasively depicting movements in a very strong breeze. Close in features to the Nike is Laocoon group- a rework of an original which got lost. The two works appear close both in terms of time and place. The Nike unlike Laocoon demonstrates heroism, the spirit of triumph and divinity coming directly to the face of man for a moment. Great art is seen in wings; the right wing stretching outwards represents a symmetric plaster version of an original left wing. The head has not been spotted to date but fragments of other parts were found. The right arm for instance was excavated in the year 1950 under a huge rock close to the statues original position. Its ring fingers tip was also identified as well as the thumb in Kunsthistorisches Museum. These fragments were reunited to the right arm and are also kept in the Louvre where the statue is. There is an inscription with the word “Rhodios” on the statue which implies this statue was custom-made in celebration of victory
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Printmaking is the art process of produces prints using three categories: relief where includes wood engraving and metalcut, intalgio which includes lithography and monotyping, and stencil which includes screenprinting and pochoir. In a contemporary context famous ways of printmaking include digital printing.
This leads to classical civilizations in Greece, Etruscans and Rome (509 BC-337 AD). Then came Medieval to early Renaissance Art which last from 400 ADD to 1400 AD, and included Early Christian Art, Byzantine, Islamic, Migratory, Carolingian, Ottonian, Romanesque and Gothic types of art.
"Ti Hunting the Hippopotamus" is a radiant example of frontalism.
Michelangelo's famous sculpture of David is a little different. Based on the artistic disciple of disegno, this sculpture is deemed the finest form of art as it mimics divine creation. Michelangelo worked under the principle that the image of David was existing in the stone block he was working on - like the human soul is said to be within the physical body.
In the 14th Century, an Italian painter named Giotto di Bondone came to the scene and broke the stilted conventions of the Medieval art, and elevated painting from symbolic to humanistic. As a forerunner of the Renaissance, he depicted saints and sinners as ordinary humans invested with natural emotions; his paintings transcended their frames to directly communicate with the observers.
Otherwise referred to as the Proto-renaissance, art that falls under this criterion started in a Northern closed society of the current state Italy, shortly after the twelfth century (Stokstad and Michael, 2009, p. 49). Art from this era did not originally stand for an uncultivated deviation from any other medieval art.
played within the larger society, and as societies understanding of itself, religion, and its role in nature increased and changed, so did the associated artistic representations from those societies. Beginning with the ancient Greeks and the development of what is now referred
As Gothic painters, these artists represented grotesque and shocking depictions of culture and religious versions of existence such as the Annunciation. In Annunciation, Gabriel visits Virgin Mary to confer to her a message from God imploring her to give
The account of ancient Greece portrayed in the Iliad and Odyssey has been corroborated by the discoveries of archaeologists like Heinrich Schliemann and Arthur Evans. The art history of the Greece is usually divided into seven main periods: the Geometric, the Orientalizing, the Archaic, the Early Classical, High Classical, Late Classical and Hellenistic.
The work of art has been used throughout historical periods to promote peace and security. The power of art in achieving these two societal goals is attributed to its emotive nature whereby works of art have been used to help people feel the sadness and
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