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The government controlled the amount of fabric that a manufacturer could buy and put to use on a garment. The high limitations and rationing of raw materials meant there were no visible class indicators on the clothing styles especially for women. Dressing style for all women during the war was similar, drawing another relational aspect with women who served during the war. Women in war service had to adopt the trousers as an extreme and practical necessity, which also found its way into the streets. Nevertheless, the largest driving factor of the fashion changes that were evident during and after the war came from the government’s stance on rationing. Rationing by the government did not target the fashion industry alone but was meant to increase the raw materials for manufacturing of military regalia. This meant that metals used in corsets, zippers, fasteners were no longer available and would be allocated for military purposes (Mason, 2011). The rationing of materials by the government opened doors for innovation in the areas concerning garment industry.
The first real change in the fashion world during World War II came about after the restriction on the fiber fabric to be used in single clothing. Stanly Marcus, who was the head of textiles at the war production board, instituted this mandate. The silhouette was much affected by these changes, as it required quite a large amount of fabric to manufacture (Green, 2012). This meant that the silhouette production would come to a close so as to preserve the fabric for the war purposes. The rules instituted by Marcus came with a limitation order on each garment for which breaking the order meant a jail time or a fine of a particular amount. Army clothing manufacturers used green and brown dye on the clothing, which left civilian manufacturers the option of using red dye. The streets would then be covered in red clothing apart for the army
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The History of Jamaican Music in the 20th Century and its Influence on 20th Century Music in the West. Jamaican music is defined by the emergence of a nation that was under a political construction during the 20th century where folk songs and historic influences from both English and African heritages.
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The impact of historical developments to culture
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The paper discusses the blurring of boundaries between fashion and art in the last decades of the twentieth century. The aim of the paper is to comment on the designs of Vivienne Westwood and Jean‐Paul Gaultier to support analysis. Fashion is the name that is given to the prevalent styles of living. Every person has an inborn desire to look good.
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In my opinion, the five of the most notable artists who helped shape the 20th century include Pablo Picasso, The Beatles, Marlon Brando, Le Corbusier and Coco Chanel.
It was the liberating influence of Pablo Picasso’s artwork that came to be the basis why he
ferentiated from animals because of their consciousness manifested through religion, language, rationality, and their drive to produce their means of subsistence in accordance to their physical realities. Aside from their physical needs, humans also clamor for sundry pursuits
The author states that the best and the most innovative ever fashion show in which designers worked together was the one which showed that paper can also serve as a dress. Both the designers experimented and played beautifully with paper. Both the designers have the ability to transform a simple raw material or fabric into a beautiful garment.
The author of the paper states that Art took on different forms and names as new concepts developed and artists from different regions of the world contributed to the development and evolution of Art. This is a continual process that has moved on from the Twentieth century to the Twenty-first century.
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