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While his mother assisted him in appreciating art as a young boy of 12 years, working at his father’s barbershop opened him up to the business world and to social issues of his surroundings.
Mentorship alone is not enough to develop and sharpen skills and thus Hunt went through schooling. The first formal training that Hunt attended was at Juniors School of Art Institute at Chicago and later he joined University of Illinois to further his studies. At this early age, Hunt began experimental sculptors from abstract though guided by the twentieth century’s artists. This made him impress the community around him and he joined several exhibitions like Artists of Chicago, Vicinity Show, and American Show. While in the American show, Museum of Modern Art purchased a piece for its collection. In 1962, he was the youngest artist to exhibit in Seattle World’s fair, which is an international survey exhibition.
According to Richard Hunt as quoted in the Lubeznik centre, “My career in sculpture began in 1955. It was then, while still a student, I began to exhibit my sculpture around Chicago in all sorts of places-art fairs, small galleries, local art centres, and the like” (Lubeznik centre). Hunt describes his career in the next twelve years that followed this and how he grew in the area of sculptural development. In addition, his skills enabled him to develop as a private, independent studio based and self-generated artist. In 1974, Richard accepted to head the project of Thunderbird Park that had started in 1952 with his grandfather Mungo Martin. He later dropped the project and started his own studio to pursue his own career.
According to Galleria Silecchia, “Among other public works, Richard was selected for a major installation at the Vancouver International Airport and was a part of a multi-artist commission to create the furnishings for the University of
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