This paper is dedicated to the art of painting. The picture on study is Danae (1636) by Rembrandt Harmenszoon van Rijn, the Dutch Baroque artist, who lived in the first half of the seventeenth century…
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In the picture we can see a young naked woman lying on her bed. There is rich furniture and decoration around her, the linen is made of silk. The woman is lying on her left side, rising herself on her elbow and stretching her arm towards the golden rain streaming from above. There is a playful smile on her lips, her eyes are shining and filled with curiosity and joy. Her pose expresses expectation and desire. Her hair is styled, and arms are decorated with bracelets. A small golden cupid is hovering above her head. An alert maidservant is peering from behind the curtain in the background.
The spectator’s attention is drawn to the figure of the young woman. It is achieved due to the successful usage of chiaroscuro, color and tones, and different lines. So the linen is depicted in cold light-blue tones, thus underlining the warmth of the girl’s body. She seems almost alive. Rosy and yellow colors used to portray the woman, contrasted to the dark colors of the surrounding background, create an illusion of inner light and life.
The composition is diagonal, in fact, consisting of two triangles of light, with the brighter one being situated from left to right, and a supplementary one – from right to left. The triangles balance each other and create expression. The picture is obviously accomplished according to the rule of the golden section, with the major figure being shifted to the right.
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Rembrandt found his interest in the field of art and painting. He started studying art on local level with an instructor Jacob Van Swanenburch. He worked as an apprentice under him .He also worked under the man who was renowned for work in the field of art Pieter Lastman.
Rijn was best recognized by the people as an etcher instead of an artist. People knew Rijn as a creative printmaker, producing roughly 300 drawings of biblical portraits, subjects, genre scenes, nudes, and landscapes. He was motivated by the Italian Baroque paintings, particularly Caravaggio use of chiaroscuro for keen emotional effect.
Rembrandt used the story of Lucretia as the subject for two of his most moving paintings in which he represented two moments in the tragedy of Lucretia's suicide. The first version, painted in 1664 and in the collection of the National Gallery of Art in Washington DC, depicts Lucretia just before she takes her life.
Overall, an in-depth compare contrast between the two books.
Ans) Rembrandt Harmenszoon van Rijn is regarded as one of the most prolific and intense artists of his era. Born on July 15th, 1606 he is renowned as one of the most revered painters and printmakers in European art history and perhaps the most important in Dutch history of all.
He was the most fashionable portrait painter in 1630s. His etching cost much even during his lifetime, his technical mastery having a lasting effect on printmakers for centuries. His painting was characterized by rich color, broad brushwork and a
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The researcher of this paper aims to analyze "Aristotle Contemplating the Bust of Homer" by Rembrandt van Rijn. In the painting, which is the imaginary portrait of Aristotle, there is a great Greek philosopher depicted resting his hand reflectively on Homer’s bust. Homer is an epic poet of an ancient time.
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This paper explores the video called "ArtSleuth 5: REMBRANDT - The Prodigal Son (final version) - St-Petersburg". An analysis of the picture in which the son is at his knees reveals the forgiving nature of the father. Rembrandt identifies with the prodigal son, especially in the need for forgives after a life riddled with sin.
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