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The music directors have carefully incorporated music which very strongly conveys the emotions and feelings of the talking animals in the movie. It is worth noting here that it is otherwise difficult to convey this through dialogues and visuals. This essay examines the role of music and sound in a particular part of this movie. The part of the movie evaluated here is 31 minutes 13 seconds to 34 minutes 50 seconds.
The selected section of the movie follows the philosophical encounter that Po, the protagonist of the story has with Master Shifu who is the trainer of Po. Master Shifu ridicules Po with regard to his poor body image and his easy going attitude. Panda is shocked to see the martial art skills of the other animals and realizes his incapability all the more. Po fails miserably in exhibiting his martial art skills and is was made fun of by other animals. The chosen part of the movie shows the intellectual confusion of the chosen hero who is unsure of living up to the expectations of the kingdom.
The scene in the beginning shows Po sneaking into Jade Palace. The sound used in expressing the sneaky behavior of Po who is trying to get inside the palace has succeeded in expressing the insecurity that the panda has. The creaking sound of the wood on the floor increases all the more as Po tries to make no sound. Master Crane who is woken up by this sound comments that the Panda does not belong to that space and Po approves of it. The creaking sound in the background just before this dialogue very well supports the Panda’s insecurity and disengagement with that physical space. Silence is very well used in this scene to contribute to the depth of Panda’s feelings. The lighting integrates with this idea. The lighting, composition and the space gives the feeling of moonlight filtering in through the windows. The camera angle which follows the shadow of the Panda also supports the general theme of the scene. The Point of View shot takes the
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Different film critics expressed their views about this film in different manner. This paper compares and contrasts the reviews of this film done by Roger Ebert and Nick Schager. The opening sentences of Roger Ebert’s review is as follows; "Kung Fu Panda 2" is exactly as you'd expect, and more.
Po is an adopted child of a goose who owns a noodle shop and believes that dedication and love form a perfect mix, which can contribute to a major change. At the beginning of the movie, Po is shown as an under confident and an unwanted giant panda, who because of his immense size, careless attitude and a fat belly cannot accomplish anything perfectly and ends up messing whatever that is assigned to him.
The depiction or representation of the female gender all through the history to date seems to have a similar perspective. This is regardless of the passage of time that has granted women liberty to have almost the same say as their male counterparts. Mainly, this is evident in diverse pieces of world literature, which exemplifies women as weak in both stature and will thus devoid of assertive.
For instance, the western individuals have their unique culture where they exercise it by visiting places of worship for spiritual intervention and reflection, visiting the doctor when they are ill and at times seeking a group gathering when they are looking for a sense of community.
"Enthusiastic, big and a little clumsy, Po is the biggest fan of Kung Fu around which doesn't exactly come in handy while working every day in his family's noodle shop. Unexpectedly chosen to fulfill an ancient prophecy, Po's dreams become reality when he joins the world of Kung Fu and studies alongside his idols, the legendary Furious Five--Tigress, Crane, Mantis, Viper and Monkey--under the leadership of their guru, Master Shifu.
I joined the Kung Fu classes to learn everything I could in its discipline so as to excel in all its forms. I could claim that my dream was kept alive till the last moments of its realization. I am proud of myself when I look back to the days of hard work I put
Pandas have huge crushing molars that are able to pierce the fibrous stalks of bamboo plants, and have very developed muscles round their jaws to assist them in chewing stiff bamboo stalks and this gives their heads a round look.
The painting Landscape in the style of Mi Fu was painted by Kao K'o-kung (1248-1310) as depicted by the colophon mounted on the painting. The work of the painting is synonymous to art work from china and Japan. The art was done during the late Sung period and early Yuan dynasty which began in within the fourteenth centaury.
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