In simple terms operas are plays that are not spoken but rather sung by the characters. Operas are performed in opera theaters whereby the persons who sing the play are in an elevated stage while the orchestra…
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Thereafter, the researcher will conduct a brief literature review that will analyze the dissimilarities between Verdi’s music and Marico’s music which is used in their operas. Similar studies will also be evaluated before making a conclusion on the differences between the two operas (Locke, Musical Exoticism, p, 154).
There are three chief trends that exhibited exoticism all through the nineteenth century. These trends includes; the utilization of western music alongside exotic elements in operas, the introduction of romantic exoticism through music and dance and relying on the audience to make a decision on the extent of exoticism (Locke, Musical Exoticism, p, 157).
The most apparent dissimilarity between the two operas is based on the reality that; II trovatore uses more melodical inventions with tunes which are quotable in nature, that are not shown in Verdi’s opera. For this reason, different people such as Edord Hanslich said that the music used in II trovatore was shot from a pistol because it is both direct and encompasses attractive melodies. For instance, in the start of act II where there is a movement from the Anvil chorus of gypsies into the Azucena chorus, there is richness of melodies that ensures that the drama is moved in an electrifying way through the opera (Locke, Musical Exoticism, p, 155).
These differences brings out different stereotypes concerning Europeans and gypsies. Thereby creates a conflict among different people and characters, this conflict are apparent in the two operas. For instance, Julian Budden points out that European music is more eminently expressive, aspiring, has high quality content, and features long-breathing phases that make the audience to relate effectively with what is being sung in the opera. On the contrast, Gypsies uses music which is composed of short and common phrases and repetitive rhythmic patterns whose overall totality is
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