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It is a graphic novel that relates how a man kills another man, and yet is convinced that he is not mad. The story opens when an unnamed narrator says that he is not insane, but nervous. He is of the view that the disease afflicting him has made his senses sharper. He talks about an old man who has never harmed him; yet the old man’s blue eye frightens him. The narrator observes the old man closely and one day, he murders him. He cuts the body into pieces and hides them under the floorboards. Soon, he starts hearing sounds coming from the floorboards. The sounds are that of a heart beating and the narrator thinks that it is the old man’s heart. When the police come, the narrator gets scared that they will hear the thumping of the heart. Caught in his vacillating emotions, the narrator panics and admits the crime (Jackson 176). After reading the story, it can be suggested that the hypersensitivity of the narrator was the reason for his downfall. This essay aims to reflect upon this hypothesis and establishes the extent to which the dramatized and exaggerated emotions of the narrator culminate in him owning up to his crime. The essay provides three lines of argument and follows them up with a conclusion.
The dramatized emotions of the narrator are an important indicator of his hypersensitivity. In the opening sentences of the story, the narrator claims to be nervous, not insane. Throughout the story, the narrator tries to justify the rationality of his actions by refuting that he is mad. He considers himself innocent even though he murdered a man, who has never harmed him. The narrator does not kill the man to gain any benefits. He is spurred into action by the blue eye old man. The narrator is indeed mad and the accrual and buildup of emotions of the period of time exceeds the tolerance threshold of the narrator, such that he is unable to hide his secret any longer. Bloomfield and Costa assert that the story is
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In just a few short pages, the reader can understand the logos of the narrator; however, the logic itself is questionable. Readers need to separate the author from the narrator. The logic in Poe’s style indicates artistic writing, not mental illness. The Story A caretaker finds he is cursed by his ward’s evil eye.
Although, it has become a minor part of those people’s existence nowadays, abuses and ill-treatment based on race constituted a major part of people’s lives in the earlier times. In United States, African American people were mainly segregated, intimidated, ill-treated and abused based on their race, irrespective of gender.
Apparently, the work of Poe as a poet, a critic and an editor had a greatly impacted on American as well as international literature. In deed, he was one of the first American writers who became a key figure in world literature.
The Tell-Tale Heart,” is one of Edger Allan Poe’s well known short stories and was first published in January, 1843. The short story is a psychological portrait. It is narrated by a mad man who commits homicide. It is a horror story, and a psychological thriller, which is presented in a native style.
There are various parts in the story wherein the narrator convinces the reader that he--the story does not actually reveal whether the narrator is a he or she but I will refer to the narrator as a he for the purpose of this assignment—is sane for he is capable of thinking, planning, and organizing a flawless crime.
The story does not clearly mention about the identity of the narrator nor does it clarify the relationship between the murderer and the victim. The story culminates with confession when the narrator’s believes on hearing the continuous sound of heartbeat of the old man under the floorboards where the body has been hidden.
In today’s court cases, the same scenario plays out. If a person doubts their sanity, or wants the law to believe they are innocent by reason of insanity, they must confess to their crime of murder. Not only do they have to confess, but they have to give their state of mind.
In fact, he is recognized as a major progenitor of the many modern literary art works having inimitable, complex, self conscious forms that dominantly influenced the twentieth century manner of writing. To consider Poe as a writer and have his works analyzed is like discovering indubitable treasures that in all aspects deserves merit.
The narrator in Edgar Allan Poe's short story "The Tell-Tale Heart" reveals absolutely no interest in proving his innocence of the murder of the old man, but rather is obsessed with proving his sanity. Every aspect of the story he relates about how he came to commit heinous murder fulfills the traditional literary definition of irony because while the intent is to prove his sanity what he ultimately accomplishes is proving beyond a shadow of a doubt that he is clearly insane.