The line from Wilfred Owen’s famous poem “Strange Meeting” provides an impression regarding universality of hope and aspiration for a better future but naked aggression of human beings against their counterparts have acted as barriers against such optimistic aspirations…
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d film “The Pianist” (2002) has masterfully dealt with the theme of universal human longing for a peaceful existence, where there would not be any bloodshed and brutal exposure of dominating tendency of the powerful against their weaker counterparts; the entire situation of equality, would finally receive a perfect fulfillment with free interaction of artistry and creative aesthetics. Polanski has represented this theme of the film through use of realistic narration of the prevailing situation during the World War II and contrasting it with symbolic connotation of what an artistic mind actually aspires for. Final part of the film shows restoration of peace and efforts of indomitable human spirit to forget the ravages of the devastation; but at the same time, the director has provided his audience with the scope of ponder over the aspect whether all the losses can be compensated, whether it is important to keep memories of those losses alive in our hearts so that we never forget what we have done to us and recurrence of the same incidents can be stopped.
The director has used Warsaw, Poland and plight of the resident Jews in the hands of Nazi force during the World War II as its backdrop. Wladysaw Szpilman, is a famous Polish pianist, played by Adrian Brody is protagonist of the film. The situation of prevailing brutality in Warsaw during the Second World War has been represented to the audience through the character, “Szpilman’s eye is like a camera, recording events with very little emotional involvement” (Bartov 142). The state of emotional faculty of an artistic heart becomes poignant, as he encounters the devastation and brutality around, through his music, “His one means of expression is the piano’s keyboard, and when that keyboard is missing, he can only report his journey – from the radio studio into a man made hell and back into the studio – as an accurately and as dryly as possible” (Bartov 142). The contrast to the man made hell, the
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