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John Donne's The Sun Rising - Book Report/Review Example

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Summary
During the first verse of "The Sun Rising," John Donne's character generates several dual oppositions which points to the poem's decisive but ineffective argument: love survives autonomously from and greater rather than the physical world. The character, inquiring the sun, asks controversially…
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John Donne's The Sun Rising

Download file to see previous pages... As for the earlier, the character protests towards the sun's interruption "Through windows" as well as "through curtains." Windows and curtains divide or disconnect him and his lover from the outer world, from the awareness that their love lives within an ordinary, physical sphere. As well, if the "Busy [and] unruly" sun pervades these modes of elimination it will demoralize his desired detention, devitalizing his love as it interrupts upon his room.
He resumed that "Love, all alike, no season knows, nor clime, / Nor hours, days, months, which are the rags of time" (9-10). On the whole, the opening stanza exposes the character's motive to employ in mutual love inside a confined sphere that is open from the time restrictions of the physical universe.
He symbolically pushes the sun away, informing it to "go chide / Late schoolboys, and sour prentices, / Go tell court-huntsmen, that the king will ride" (5-7). Without a doubt, the sun is instructed to search for these individuals for the reason that its exploration will render the character to be free from its "motions." Though, the influential language of the first verse starts to collapse early within the second verse, as the character appears to disregard the love standards that he is in search of.
Commenting on the plainness of avoiding the sun's disturbing beams, the character declares, "I could eclipse and cloud them with a wink, / But that I would not lose her sight so long" (13-14). By means of closing his eyes, he eliminates the outer world from his inner world of love. This portion of his style is still persuasive, for the readers can recognize that the eye performs like the window of the 1st verse.
The final two lines of the second verse and the opening two lines of the third verse continue to clear the character's language taking apart itself. After commanding the sun for the second time to leave and connect with the social area, he remarks, "Ask for those kings whom thou saw'st yesterday, / And thou shalt hear, all here in one bed lay" (19-20). While earlier the character instructs the sun to go because he wants to be alone lover not noticing the time, here the poet asserts that the social area is inside his bed.
He attempts to use language so as to assert love's dominance towards the outside world, but by accepting time restrictions and the social area he finally supports the arrangements that he hopes to destabilize. The final verse accomplishes the devastation of his effort. As formerly said, the character sets up a detention / openness resistance, favoring to be enclosed inside a microcosmic world of love. Nevertheless, this notion is dismantled when the character called upon everything within the external world towards his room. "In that the world's contracted thus; Thine age asks ease, and since thy duties be, To warm the world, that's done in warming us. Shine here to us, and thou art everywhere; This bed thy center is, these walls, thy sphere.' (26-30)
The character's argument concludes with the theory that the whole physical world inhabits his microcosm. He along with his lover is the core of this new dimension, and their love exceeds the physical restrictions of the outside world. In due course, the character's attempt to make use of a language which will communicate love's uplifting qualities is a failure. ...Download file to see next pagesRead More
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