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Art History from the Orientalizaing period to the Hellenistic - Essay Example

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The motion depiction, proportions, and the figure conception in space dramatically differs from one era to another. According to Lippert (64), the artwork development over time illustrates that the sculptures…
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Art History from the Orientalizaing period to the Hellenistic
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Art History from the Orientalizaing period to the Hellenistic

Download file to see previous pages... Nonetheless, the Greek sculptures were presented in nude form. The male sculptures created in this age illustrated no stress on the anatomy of the bone and muscle. This was clearly obvious by the lack of details around the joints, in the knees and also in the arms.
Another central trait of the early Greek sculpture was the lack of movement natural stance in the figure. A perfect case in point of an Orientalizing period sculpture is the Kouros, one of the earliest life-size statuary in Greek art history (Palagia 109-111). Unlike contemporary sculptures, the slim waste of the Kouros and its pointed arch of its rib cage create a ridge that takes the form of a v shape. The Kouros does not portray the moving flesh linked with the human body muscle. Similar to other early Greek sculptures, the artwork has almost no motion depiction since the figures are usually standing straight and still.
As time passed, the Greeks began to attain more skills and improved techniques permitting them to represent the human body in a better way. On the classical period era arrival, Greek sculptors now had the ability to make the figures more naturalistic. The nude male sculptures were now portrayed in a variety of diverse poses.
In the classical period, sculptors devoted a significant part of their focus to exploiting the decorative potentialities of the wind-blown style of interpreting drapery. The Parthenon pediments sculptors had developed this drapery. The two most frequently used materials during the classical period were marble and bronze. However, various grandiose works mostly cult statues were ordered in a method that was known as chryselephantine. The flesh was overlaid with ivory upon a wooden frame and the drapery with gold. It was during this era that artists became acknowledged for their works (Green 6).
For instance, Polyclitus, one of the most Greek sculpture influential theorists argued that a figure should possess ideal proportions. He also ...Download file to see next pagesRead More
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