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At the time when the idea of the “Crucible” was born in 1652, communism and racism had dominated most nations of the West.
Towards the end of the 17th Century, the conception of Satanism and healing in God had masked the minds of most inhabitants of the world. This was also the period of great political change and conflicts among the landlords. Coincidentally, this was the century that ushered in the occurrence of the abnormal psychology, in particular, Hysteria. When Salem Witch Trial was first shot in the year 1692, it followed these trends of the ancient world and reflected the contemporary society in that light. During that time, the belief that witches had the supernatural powers to cause adverse harms to the human beings had been spread across the continent of Europe, New England in particular. Besides, the low class Puritan community was still going through a bitter aftermath of the war between France and British which occurred in the year 1689. Tension and trauma was still lingering in the minds of most residents of the ancient Salem village. The British war was not the only cause of fear in this solitary village; there was also an outbreak Smallpox which was not readily curable by that time. The lonely villagers of Salem also lived in a persistent fear of the attack from the neighboring communities. For the Salem inhabitants, this really a dark age from which only the extraordinary intervention of God could safely exit them
The two movies, Salem Witch Trial and Crucible, were shot during this very time in history when human permittivity and racism formed the basis of life. These two movies vividly portray how witchcraft was alleged and severely punished by the cruel society. In Salem Witch Trial, young children who suffer from hysteria happened to envision very wild imaginations of witchcraft. Their parents, in reaction to these imaginations, point fingers at the suspects before establishing the
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One implicit argument that the filmmaker quite substantiates the motion picture with is the fact of life regarding ordinary decisions a person makes. When a person chooses to proceed with ways that are marked by her rebellious state of being, as in Dorothy’s case, the consequences of the choice become means for one to realize any shortcomings.
Directed by Roland Joffé, The Scarlet Letter motion picture brings Nathaniel Hawthorne’s characters to life in a riveting performance by actress Demi Moore who plays Hester Pryne, actors Gary Oldman and Robert Duvall who play Rev. Arthur Dimmesdale and Roger Chillingworth (Mr. Pryne) respectively.
Conflicts between appearance and substance are depicted through sounds, as they increase suspense over the mystery of the town and its characters. Diegetic sounds explore the contest between what is and what is not.
The Adventures of Prince Achmed as produced by Reineger is considered a masterpiece because of the use of Shadow puppets in front of the camera. It is the oldest surviving animation film ever made. In the Adventures of Prince Achmed, Reineger made the invention of animated figures using cutouts and shadowing them in front of a camera.
Following this, there occur numerous twists and turns, which the detective solves at his own pace. These events are typical of the Hard-Boiled Style.
b. Characters: The characters in the novel are again built on the basis of the typical Hard-Boiled formulae.
The movie is about the depressing features of nature as sunshine is seen in a very limited manner. There are clouds, which are present overwhelmingly everywhere, with grey skies, preparing to burst into tears. The nature is portrayed in this movie as a brute
The documentary makes use of colorful film footage. This was commissioned in 1969 by Thames Television. The movie required detailed research, and this took four years to produce the overall analysis, and production of the
ange positions, leading William Griggs, the village doctor, who validated his analysis by the direct name calling confessions in the cries by tormented young girls, to conclude that they, the girls, were indeed victims of witchcraft.1
From being free to being a captive with
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