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Therefore, the work portrays the events in the ancient Egypt.
It is claimed that the British archaeologist, once J. E. Quibell, place this art in this location during his 1897/98 excavation season. Alongside his colleagues, they deposited stemming artifacts that would later be recorded in the history of the ancient Egypt. These artifacts contained fragments of the ceremonial head of Narmer alongside other mace head fragments with some other inscribed with the Horus ‘Scorpion the name that was traced to be the name of one of the Narmer’s predecessors. Regardless of these findings and records of the Palette of Narmer, there are still doubts that the exact finding circumstances related this palette are not exact; thus, it appears that a lot of contradicting publications have been published concerning Quibell’s work at Hierakonpolis. Nonetheless, the general military symbolism relating to the palette is still clear and acceptable (Stokstad and Cothren 26).
The palette of Narmer describes the kingdom of the ancient Egypt while the Stele of Naram Sin presents the northern Mesopotamia kingdom that existed in 2332 BCE pictorially. It is apparent that these two pieces of art were used to describe the historical events of this time. In the 2334 BCE, there were loosely linked sites known as the Sumer. Sargon of Akkad became the great king who emerged to control these cities. Later, Naram Sin the grandson of Sargon initiated victory stele at Sippar in order to commemorate his Lullubi’s victory (Stokstad and Cothren 36). It is under these circumstances that the Stele of Naram Sin art created to signify his divinity. Therefore, it is clear these two pieces of art were related to actions of the ancient Kings.
At some levels of understanding, it is apparent that the Stele of Naram Sin and the palette of king Narmer present a striking parallelism. Nonetheless, both of them are designed to commemorate
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MANOVA (F-test). 2nd step: Randomly selected sample Normally distributed Homogeneity of variance Equal/similar sample sizes for each level of Orthogonal error Independent variables are categorical variables Dependent variables are continuous there and no gross outliers The model assumes a causal relationship 3rd step: Research question: “Are there any significant differences in participants mean ratings by the different judges.” The hypotheses tested: H0: There is no difference in the mean rating of participants by the different judges in the different levels.
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This paper explores Wassily Kandinsky's “Composition VII”, which was created in the 1913. First of all it is worth to mention about one of the authors’ famous works “Composition VII” which is dated on 1913. This composition strikes with a masterly combination of emotional and sensual expression to reasonableness of structure in general.
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