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In addition, the creation of Venus moved on along through the Gods of wind.
On the contrary, discovery of Venus de Milo occurred on April 8, 1820. The development was on the small island of Aegean Melos that was, by then, the backwater during the explicit rule of Ottoman Turks subject to political influence of Japan. A farmer discovered the statue of Venus de Milo when he was working in a field nearby to remove stones from an ancient wall. However, the sculpture was available in pieces, not as a single statue, with the arms missing. In the same sense, the farmer found an apple holding a hand as he continued to dig.
The two artworks, Botticelli birth of Venus and Venus de Milo, show similarities in the sense that both were nude. Both the artworks held the status of being masterpieces that persuaded great merchants and people of high status in their respective societies.
The sculpture of Venus de Milo had a color pigmentation tinting that helps in creating an appearance that is distinctly similar in nature. The statue had bracelet decorations complete with earrings and headband. For the Botticelli birth of Venus, the artist used dark line paintings along and around the contours of her body to create a clear distinction between the bodily shapes and the background. The well-mixed primary colors resulted in clearly defined secondary colors. The colors provided an outstanding emphasis on the beauty’s milky skin color. Artists illustrate Venus as one of the most beautiful and chaste goddess who remained as a symbol of coming spring.
Painters designed her nudity to depict some significance in itself because all artworks of Renaissance history revolved around the theme of Christianity at that time. At the time, it was not easy to portray a woman as nude (Siapkas & Sjogren, 2013). Most aspects of Botticelli’s Birth of Venus manipulate in motion. For instance, a succinct observation of the orange tree leaves in her background as well as
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Still, one must consider that the very name Renaissance refers to a return to the Greek and Roman cultural epoch. Some of the most prominently incorporated thematic content from these earlier eras are from Greek and Roman mythology. One popularly incorporated mythological image in Renaissance art is the Roman goddess Venus.
This work is full of sensuality, idealization and mystery. The background seems quite undefined with a purported black portion that makes it more attractive. The different shades of bluish clothing and decorations make the picture more striking to the viewer.
The later reflects the customs of the High Empire in Rome. The piece dates back to 113 AD. While the code encompasses edicts as well as punishments, the column shows victories in wars. Both of the pieces emphasize the legacies of great rulers. Specifically, the icons illustrate how the two leaders divergently executed their similar aim to shelter their citizenries.
Venus is the second planet from the sun in our solar system and was named after the Greek goddess of beauty; it has a year with the equivalent of 224.7 days on earth and has been studied by many probes being sent to the planet mainly by Russia but as well as USA and the European space association.
Similarly, art can also be used to influence and give direction to the sexual values of humanity, as well as reflect those values. One of the best illustrations of the relationship between art and sexual values is Alessandro Botticelli's celebrated painting The Birth of Venus (1485), which represents the goddess Venus as emerging from the sea upon a shell compliant with the myth concerning her birth, and the painting is regarded as one of the most treasured masterpieces of the Renaissance.
Symbols have also been used for confidentiality purposes; there are cases where some communities used symbols to preserve their secrets so that only members of the particular community would understand the message being conveyed
She is known as the “Woman of Willendorf”. She is one of the ‘Venus Paleolithic figurines’ (Lammerhuber 2008).
This figurine has unique features. She has large, oval breasts. She has her slender arms draped over her large breasts. She appears to don
There are various ways in which Botticelli stroke a balance between idealism and naturalism in the ‘Birth of Venus’ as told by Gombrich. The balance between the two concepts is achieved through the descriptions that Botticelli gave about the events that surrounded the birth of Venus. Botticelli technically upholds naturalism.
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