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While pieces are systematically laid at differing corners, the distinguished soldier and the named student seem to have very detached lives save for their joint interest in go. After meeting in the core of the books disjointed plot lastly comes together and the narrative goes from a palpable false sense of distinct light-heartedness to a tragic notable confrontation at eventual breakneck speed. The exhibited second half can be well read in exposed half the time. The song helps in outlying or foretelling the gradual turnaround of the novel from fairly harmonious start to eventual sad end.
The book is told in discontinuous chapters by a Chinese teenager-going on sixteen at the beginning of the book in a Manchurian urban in the 1930s-and a Japanese fighter who ultimately comes to be posted in the region. Manchuria has been settled by the Japanese for numerous years as the account opens, but there is an energetic insurgency pressure group. The girl, though, lives a relatively cool sheltered life. Her immense passion (and aptitude) is the pastime of go which is an ancient strategic board game accepted in Far Eastern Asia. This is equivalent in complexity to chess, and she mostly spends much of her occasion playing in the communal Square of a Thousand Winds-a location where players come for popular pick-up games of go and a place she generally effortlessly beats all comers. The girl is quickly maturing, and turns out to be sexually active over the process of the novel. However, go forever remains an interest she can indeed relate with or return to. Something she can center on where she is in control and wherever she can be assured of the rules notable abilities. While singing the song, there is mirroring of both the plays on men and women similar to the disagreement between China and Japan which is a conflict that systematically progresses locally in those matching small moves as
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