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He even mentions one of his top ranking songs if the scale for each has to be chosen. But in as much as this ranking may be, he owes Thunder Road the attention it depicts by the more number of times he listens to it. In his explanation as to the reverence the song is accorded, he insists that the song is more than just mere experiences they yield (Hornby, 16). Will, as he is giving the account of his work on the Lyrical Ballads, especially when he points out to the experience in “Dead weight” is categorically to mention that in as much as he is going to remark various subjects of life; music can be such captivating and eventually make one wholly submerged into the whole process. This he points out when he says, “The twins looked like they’d been concocted in some secret lab buried deep in the vanilla heart of America” (Will, 73). Will confirms the sentiments, exemplifying this to Hornby’s account in the context of Thunder Road; music and its power to captivate is dictated by the aura with which it is presented. When this treatment is given to a piece of literature, a distinction must emanate from the individual items when subjected to comparisons. These judgments are based on many factors other than just emotions. They have under the scope, spatial scrutiny, time connections, just to mention but a few.
Songs can vary in effect and outcome and this basically stems from an artiste’s structuring which in effect influences the listener’s preference for them. Will accounts this in one of the scenarios when he writes, “…one of the guys ran out of the songs and told me they were cutting the sound…. It started to happen: all thought and conscious effort dropped away…. After three more songs, I could feel myself rising.” (Will, 85). These genres are especially given a variety approach so that they are likable by a wide range of age groups; often brought about by the
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