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Apparently, one of the most apparent cases in point is Anton Chigurh, the malevolent icon of the setting of No Country for Old Men. Chigurh is not a person in principle. Rather, he appears to be an ambiguous cultural rendition of Judge Holden of Blood Meridian. Both Chigurh and Judge Holden are more of perfect representations of evil than multifaceted persons. Chigurh is not merely a stereotypical character, but he is represented as well with obviously mystical nuances. However, Sheriff Bell guarantees himself that Chigurh is ultimately not a phantom. The deputy whom Sheriff Bell is talking to rejoins, “I guess if he was a ghost you wouldn’t have to worry about him” (McCarthy 2005, 299). Nevertheless, the ultimate rendezvous of Bell with Chigurh is eclipsed by the bizarre flight of Chigurh. Although it is possible that Chigurh drives off, the story does not specify the manner he carried out that escape without Sheriff Bell knowing it (Cobb 2005). The evidently mysterious disappearance of Chigurh in the movie is in agreement with the representation in the novel. Chigurh, frequently linked to ‘phantoms’ and ‘evils,’ has a powerful hanging cue of supernatural pragmatism.
For instance, Chigurh, as aforementioned, is depicted by Sheriff Bell as a ghost and a devil. Even though he admits to have faith in logical depictions of man, he however indicates that he is beginning to bow over the path of trusting a personified Satan. Bell professes, “He [Satan] explains a lot of things that otherwise don’t have no explanation” (McCarthy 2005, 218). The sheriff is a sensible person and a contemporary disbeliever; however, in his belief, there is a troubling anxiety that Chigurh simply might be an existing embodiment of Satan. Nevertheless, majority of the novels of McCarthy, No Country for Old Men does not depend on simple imagery. Chigurh does not resemble the Prince of Darkness in any way; at several instances in the
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The surroundings in this scene emanate an aura of evil. The underlying feeling of suspense, of threat and evil is enhanced by the sets and properties that have been used in this particular scene. For instance, the colour schemes used are all dark, the character himself is dressed in black like the angel of death.
He is able to think ahead of his opposition and his victims. He keeps himself calm, cool and collected and seems to be unruffled by even the most drastic scenarios. Chigurh’s facial expressions have been of paramount importance. He keeps a rigid face and shows little or no feelings.
In response to the loss of such immense sums of money, Anton Chigurh gets furious and tries to recover the sum through a device placed on the moneybag. Anton Chigurh is known to kill any person who gets of his way, principally on matters regarding his money.
Death and loss are incorporated in the story. As usual, good and evil issues are present. The dystopia novel No Country for Old Men needs a major revision. The author’s plot is clear evidence of dystopia. Dystopia can be defined as being in the wrong place at the wrong time (McCarthy 3).
There have been sociopaths identified in psychological thrillers throughout the history of the genre. McCarthy specifically works to create an environment of killing through his opening discussion with a soulless teenager to a sheriff, to the practiced skills that leads Chigurh to kill twice early in the novel, and then to the comparison of killers of humans to that of a hunter who calculates with skill how to kill his prey.
It tells an archetypal story that puts emphasis on the evasion from or facing circumstances, people, and even death, through the protagonist Llewelyn Moss (played by Josh Brolin) and the antagonist Anton Chigurh (played by Javier Bardem) as well as moral decline seen through the eyes of an old man in pursuit of justice, Sheriff Ed Tom Bell (played by Tommy Lee Jones) (Devlin 221; Lane).
This essay discusses that besides the actions and foils, the novel is thought to be inspired by William Butler Yeats’ poem “Sailing to Byzantium,” where the poem served as the base of the novel by looking at the significance of the character Sheriff Bell, McCarthy’s writing style, and also the significance of the title of "No Country For Old Men".
and welder, who happened upon the money at the drug-deal site while hunting and chose to keep it, Anton Chigurh, who was a hired psychopathic hitman tracking the whereabouts of the money, and the Sheriff Ed Tom Bell, who was investigating the brutal events related to the
The other characters that complete the plot include the wife of Moss by the name of Clara Jean, Carson Wells, who is also a hit man and stores and hotel clerks who are always unlucky when they have to meet Chigurh (Coen &
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